By Ashley Zimmerman
By Dana Krangel
By John Hood
By Ashley Zimmerman
By David Von Bader
By Sayre Berman
By Steve Brennan
By Ashley Zimmerman
"Yeah, maybe we could have the four of us going around robbing convenience stores in it," says Creepy guitarist Trev, with a laugh that sounds like Goofy on speed. Trev is an endearingly chubby fellow with thick-framed, '50s-rocket-scientist glasses and a perpetually hunched posture. He recently traded in his '66 citron green Barracuda with its broken air conditioner, plopping down an extra $1000 for this more wicked-looking model. While Hyde looks under the hood at the V-8's chrome valve covers and breathers, Trev retrieves Mark "Crypt" Burton from the band's small rehearsal space. "Wow," echoes the stout, longhaired bass player/ backup vocalist when he's confronted by the vision of the Barracuda.
To the members of the Creepy T's, the retro-pop world is more than part of their lives, it's the primary ingredient in their low-fi brand of garage punk. Trev's Barracuda could easily be the subject of one of the Creepy T's songs. After all, the group already has a song called "Rat Fink Machine," inspired by the '60s comic strip about hot rods and monsters.
During the band's rehearsal (the final performance with drummer Tim Putt, who would quit the band a few days later for personal reasons), the Creepy T's go through "Rat Fink Machine" and other songs with titles just as sinister and origins just as quirky. "Mummy's Curse," which Hyde says came to him while "getting stoned and watching The Mummy's Hand on AMC one night," features him singing lines like "I'm no Egyptologist, but there's one thing I can't resist, that's pulling the lid off a dead man's chest," with his vocals drenched in an echo effect against a fat, creeping, throbbing melody. "Just For the Hell of It," which Trev says is inspired by Herschell Gordon Lewis' 1968 movie of the same name "about kids on a rampage," bounces along with a drunken rockabilly flair. During "Tiki Walk" Hyde regurgitates the song's title in a long, loud, lethargic exhale and breaks into heaves and grunts, sounding like Lux Interior of the Cramps at his most exasperated. In the background Burton spews out monotone ahhhhhhhhs as the guitars play a heavy hook that would make a perfect soundtrack for a supernatural serial killer stalking his prey. The songs are often slow, sloppy numbers, influenced as much by the droning psychedelic freak-outs of the Velvet Underground as they are by the brash aggression of the Stooges.
The Creepy T's began as a nameless band with Burton, Hyde, and a keyboard player called Tread Waters last spring. The three musicians had just jumped off the sinking affair known as the Pop Skulls; the six-year-old, Fort Lauderdale-based band was suffering an identity crisis. While the other members of the Pop Skulls wanted a heavy/pop rock sound, the pre-T's guys were looking for a retro-punk vibe. The Pop Skulls didn't even have a central frontman, as three of its members, including Hyde, sang lead vocals on different songs. The band inevitably dissolved, and Burton, Hyde, and Waters took their contributions to the Pop Skulls for themselves, refining the songs with the help of one of various friends who could play drums.
Putt, a long-time friend of Hyde's, came on as permanent drummer when he grew weary of touring with his previous band, the Miami-based, avant-garde punk rockers Kreamy 'Lectric Santa. He was the one who finally christened the band the Creepy T's. Some slot-shifting ensued, resulting in the departure of Waters and the coming and going of an extra guitarist. Trev joined last fall after he, Hyde, and Putt got acquainted while taking part in the short-lived '60s-garage-rock cover band the Hive Buzzers, a recreational project that featured musicians from other local bands. Having played bass for two well-regarded, Miami-based punk bands (Cell 63 and the Holy Terrors) that had disbanded, Trev was in a lull in his career. He took up the guitar in the Hive Buzzers just for kicks.
When Hyde approached Trev about playing some original songs along the lines of the covers played in the Hive Buzzers, Trev jumped at the opportunity. "After playing with the Holy Terrors for six years and playing stuff that was just so extremely organized and seamless, it was nice going into the Creepy T's, where the music is loose, raw, and campy," says Trev. "The stuff [the Holy Terrors] did before was serious stuff about sex, death, and disillusionment, and the Creepy T's are songs about cars and Boris Karloff."