Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Come on, Get Happy

The Come Ons are afflicted with more Motor City madness

Share

  • rss

By Dan Sweeney

Published on July 11, 2002

There's something going on in the Rust Belt besides auto-industry layoffs. Along with bands such as the White Stripes and the Greenhornes, the Come Ons are part of a garage-rock revival that has crept slowly across the nation, building speed like an old Camaro. Unlike the more punky Stripes, the Come Ons blend many old techniques into a new sound, using Hammond organ, tambourine, handclaps, Deanne Iovan's vocals, and 1960s girl-group lyrics to conjure its retro-modern sound. Combining Motown, proto-punk, and pure Detroit rock, the Come Ons manage to produce an amalgam of everything that is right and good about Motor City (read: no Ted Nugent), as its two recent albums reveal.