Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Tribalistas

Tribalistas (Blue Note/Phonomotor)

Share

  • rss

By Lawrence Kay

Published on May 29, 2003

Three of Brazil's brightest rising stars have joined forces to create an extraordinarily beautiful, alluring blend of soul, trip-hop, and bossa nova, a sure sign of the continued creative vitality of their native land. Vocalist Marisa Monte, samba-funk pioneer Carlinhos Brown, and pop trickster Arnaldo Antunes are leaders of the neo-tropicalia scene, which pays homage to the groovy genre-bending of 1960s stars such as Gilberto Gil and Caetano Veloso. All three have been refining this rich musical vocabulary on a series of solo records, each with sleek, densely layered production that raises the bar for Brazilian and, indeed, global pop music. Although they frequently contribute to one another's albums, Tribalistas marks the first official outing of this innovative supergroup and is an unqualified chill-room triumph. Languid melodies float effortlessly through elaborate rhythmic forests, impossible percussive cross-patterns that are typical of Brazilian samba's deep African heritage. Monte, who produced this album for her own independent Phonomotor label, has a sweet, silken voice that hints indirectly at the rough, purring growl that is Antunes' trademark sound. Brown stands midway between the two, mainly providing the rhythms while throwing in sexy harmonies that jell the trio's sound. The soft-edged arrangements are sweeping and playfully creative, with crisp acoustic guitars, drifting electronic washes, and even a toy piano or two. Highly recommended.