Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Jeff Buckley

Live at Sin-é -- Legacy Edition (Columbia/Legacy)

Share

  • rss

By Mark Keresman

Published on September 25, 2003

The late Jeff Buckley (1966-1997) had a singularly amazing voice -- a trait shared with his father, avant-folk troubadour Tim Buckley (1947-1975). Like his dad, Buckley could purr like a jungle cat, sigh like a Delta bluesman, improvise like a jazz singer, and shriek like a half-mad banshee from some mythic Scottish moor. Originally released in 1993, Live at Sin-éwas the world's introduction to Jeff; it was named for a now-defunct New York club where he had a regular solo gig. This two-CD re-release expands the program from 26 minutes to two and a half illuminating scintillating hours.

Aside from being a songwriter, Jeff Buckley was an article rare in post-Dylan generations: an interpretive singer, one who drew from unfashionably diverse sources. His sensitive pleading version of Johnny Mathis' romantic ballad "The Twelfth of Never" flickers like the flame of a candle blown by a gentle ocean breeze, and Billie Holiday's "Strange Fruit" gets an extremely spare bluesy treatment further accenting the song's already harrowing narrative. Paying tribute to his more direct vocal influences, he covers Van Morrison ("The Way Young Lovers Do," given a sensuous, surreal, extended jazz-scat workout) and Led Zeppelin ("Night Flight").