Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Mr. T Experience

Yesterday Rules (Lookout!)

Share

  • rss

By Adam Bergman

Published on February 12, 2004

There was a time when the Mr. T Experience (MTX for short) was just another hack pop-punk band in a swell emerging from the clubs of Berkeley. While the group definitely had its moments -- Love Is Dead from 1996 is probably its most cohesive work -- and crafted classic novelty numbers like "Alternative Is Here to Stay" and "Even Hitler Had a Girlfriend," it never could emerge from the shadow of Green Day's more incendiary brand of idiocy. It was a fate it took care to lampoon in "Dumb Little Band": "We do a record every year/That nobody's gonna hear/Or understand/Dumb little band/Not exactly in demand."

But with Yesterday Rules, the band's 12th album, singer/songwriter "Dr. Frank" Portman has finally begun to lead MTX toward a more mature dumbness, leaving the once-fashionable, now-tired pop-punk formula mostly behind in favor of more lushly conceived pop à la the Beach Boys.

With lilting melodies, chimes, harmonies, and all the stuff of an actual pop ditty, "Fucked Up on Life" has a drunk-at-7 a.m. Billy Bragg quality to it. "Sorry for Freaking Out on the Phone Last Night" is one of several sensitive-guy-type tunes that soars on the strength of some nifty lead guitar. "London," a bona fide single with its teary-eyed acoustic opening and swelling keyboards, could find a place on the radio in a more perfect world -- if only Dr. Frank had a more palatable voice.

Therein lies the permanent limitation. Dr. Frank's nasally vocals have always damped the quality of MTX's albums and continue to on Yesterday Rules. Portman's voice is thin and devoid of range, which is difficult to get away with unless you're Michael Bolton.