The Walkmen

The Walkmen deserve praise for painting their influences with something that is both a few shades weirder and more charged and electrifying. On the hell-raising "The Rat" from its second full-length, Bows + Arrows, the group sounds like it's updating a lost U2 track circa '83 (when Bono, the Edge, et al. heaved with youthful vehemence), combining that group's huge, soaring sound with the gritty pulse of NYC's punk/post-punk heyday. It bounces between full-on guitar/organ attacks like "Little House of Savages" and drunken lullabies such as "138th Street," on which Hamilton Leithauser's coos and moans call forth a Tom Waits and Shane McGowan amalgam. All the while, they retain their by-now-trademark cavernous and echo-laden identity.

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More About

• The Edge (Musician)
• The Walkmen
• Tom Waits
• Shane McGowan
• Hamilton Leithauser

But though Bows + Arrows is a bit more dynamic than the band's debut, Everyone Who Pretended to Like Me Is Gone, it's sorely missing the latter's dreamy and woozy moments of brilliance, such as the catchy, off-kilter number "We've Been Had." That first album was spacious and patient when it delivered odd pop melodies. Bows + Arrows comes off as a bit more stripped down, louder, and more urgent, though that certainly isn't a bad thing.