Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Roots

The Tipping Point (Geffen)

Share

  • rss

Published on July 29, 2004

Sometimes to move forward, you have to step back. Shying away from the cracked, free-form jams of 2002's Phrenology, the Roots return to the more traditional boom-bap-cum-Native Tongues aesthetic of their previous work on The Tipping Point. Tracks such as "Stay Cool" and "Boom," carry the torch from Phrenology, but they've also adopted a more muscular and jagged sound, as displayed on the album's first single, "Don't Say Nuthin'." And while ?uestlove and crew lay down some of their hardest-hitting rhythms to date, this is clearly lyricist Black Thought's show. Whether affecting the flow of Kool G. Rap on "Boom," taking aim at George W. Bush on "Why," or spitting a raucous verse on the instantly gratifying basement blues of "The Mic," Black Thought establishes himself as one of the premier lyrical stylists in the game. -- Sam Chennault