Capsule reviews of current area art exhibitions.

"The Four Seasons" -- An exhibition-sized, site-specific installation at the Art and Culture Center of Hollywood by Guerra de la Paz, the collaborative name of two Miami-based Cuban artists, Alain Guerra and Neraldo de la Paz. Working out of their studio in Little Haiti, they create what they call "clothing sculpture" by using leftovers from neighborhood rag shops that export used clothing to underdeveloped countries. For this show, they fill the museum with around two dozen pieces, most of them linked to a specific season. What at first feels refreshingly silly about the exhibition ends up seeming contrived, gimmicky, and a little too self-satisfied, although specific pieces have their undeniable charms. (Through December 5 at the Art and Culture Center of Hollywood, 1650 Harrison St., Hollywood, 954-921-3274.)

"Diana, A Celebration" is even more lacking in actual art than last year's Vatican show at MoA. We get battered childhood toys, a few dozen of Diana's steppin'-out gowns, photographs of the Spencer family estate, a looped tape of Elton John singing "A Candle in the Wind," a very valuable-looking tiara (the impression of value reinforced by the presence of two edgy guards hovering next to it), and the Wedding Dress. Ah, the Dress. It's big, all right. There are 25 yards of silk taffeta in it, 100 yards of tulle crinoline, and 150 yards of veil netting, and it's mounted on a faceless mannequin in a 30-foot-long glass case; every inch of its 25-foot train is on full display. But somehow, it doesn't live up to the hype. Those blousy sleeves, the beaded bodice, the lacy collar, the little bows, the embroidered hem line -- they all add up to one clunker of a gown. This was before Diana discovered herself as a public figure, of course, and you're left with the impression that the royal matriarchs, Queen E. and the Queen Mum, had her tightly in their clutches. The dress must have been suffocating to wear. Pictures of Diana in it somehow bring back a long-forgotten impulse to rescue her -- to leap into that vast froth of fabric and drag her coughing and gasping back to shore -- and the show prompts a similar impulse. Can we drag the real Diana out of there? (Through December 31 at the Museum of Art, 1 E. Las Olas Blvd., Fort Lauderdale, 954-525-5500.)

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