Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Chemical Brothers

Push the Button (Astralwerks)

Share

  • rss

By Kiran Aditham

Published on February 03, 2005

Though 2002's Come with Ushad the brothers Chemical stirring all their past ingredients in one pot, the promise far exceeded its result. With last year's greatest-hits package providing a welcome breather for the techno innovators, it seemed a back-to-basics record was in order. But Tom Rowlands and Ed Simons wouldn't let you off that easy. Not quite a return to form but a slight edit of their own dance floor doctrine, Push the Button sees the Grammy-winning duo slowly climbing back to the top of its game.

As Tribe Called Quest alum Q-Tip threatens "I've got my finger on the button" on the lead single "Galvanize," we're treated to Arabic string bursts and hip-hop beats not as thunderous as they should be. It's a healthy start but a bit unsettling that the lads seem restrained from their normally explosive rhythms. Still, the instrumental tandem of "Come Inside" and "The Big Jump" possesses that aggressive electro-funk swagger that will start any party, while the Mexi-crunk of "Shake Break Bounce" is a refreshing detour for the pair. Though not groundbreaking, Push the Buttonstill outshines its predecessor without having to rely on past glories. With Prodigy falling flat and contemporaries like Orbital and Leftfield biting the dust, it's nice to see the Chemical Brothers, even in their tentative moments, still rockin' our block ten years on.