By Ashley Zimmerman
By Dana Krangel
By John Hood
By Ashley Zimmerman
By David Von Bader
By Sayre Berman
By Steve Brennan
By Ashley Zimmerman
"Kids can only go back ten, maybe 15 years," drummer "Dirty" Dave Johns says about the local punk scene's short attention span. "They don't give a shit where this music came from, what the whole purpose was throughout different generations. But we always keep up with what younger bands are doing. We never want to short-change what is up and coming."
Dressed in a smart, white suit, with a black bowler atop his shoulder-length hair, the 23-year scene veteran looks like a rock 'n' roll Tom Wolfe. But Johns is no snob -- he really loves music, and he'll share his knowledge with anyone who'll listen.
During a recent show at Hollywood's Club M, Johns gave a much-needed schooling to Colin Ambulance of California's Plastic Letters, a young know-it-all who figured name-dropping bands older than his would establish some rock cred. Ambulance put himself in the hot seat by dissing South Florida's "boring" scene, so Johns took him to task with a pop quiz in rock history. The surprised Plastic Letter promptly failed.
"He kept talking about [late-'70s punk band] the Dead Boys, but when I mentioned their producer, Genya Ravan, he didn't know who she was," Johns says. Ravan may not be a household name, but her work with numerous rock icons makes her an important figure nonetheless -- one that Johns deemed worthy of tracking down for a conversation. "The guy's obviously never been to the Friendly Fire website; otherwise, he might have read my interview with her."
Sure enough, Johns' interview with Ravan is available for podcast on FriendlyFireNetwork.com, as are his conversations with power-pop pioneers and punk legends like the Records' Will Birch and Sham 69's Dave Parsons. With an unyielding passion for rock 'n' roll history, Johns is the professor emeritus at the local School of Rock -- minus the condescending attitude shared by most music buffs. Ditto for his band mates, Casey Cook (a.k.a., Stunner, guitar and vocals) and wife Kris (a.k.a., Kristal Van Hart or KVH, bass and backing vocals). All three are zealous about sharing their musical discoveries. Aside from Johns' on-line column, "Down and Dirty with Dirty Dave," Stunner shares his views in the "Stunn Zone," and Van Hart offers readers advice with "Dear KVH."
"Last New Year's Eve, we got together and brainstormed what to do with the website, how to take it to the next level," Stunner says, speaking in his cool, calm, yet passionate manner. "We wanted to transform it into a weekly magazine with columns, and we also had been kicking around the idea of doing a weekly radio show. We were looking for a new way to promote the band that was different from what other bands were doing."
As South Florida's premier political glam band (that's not a typo), the three Bush-bashing rockers couldn't make the radio show pure entertainment -- not when the country's in a furor and the president's on vacation. Taking a cue from Air America and The Daily Show with Jon Stewart, Friendly Fire Radio usually kicks off with commentary on the latest political outrages -- from Karl Rove's loose lips to the quagmire in Iraq -- as well as amusing entertainment news bits (what's that Paris chick up to now?). Afterward, it's all rock 'n' roll, babe: The MP3 jockeys show you what's up in the underground, featuring songs by two or three new bands each week.
Stunner and company may have their sites set on the 'Net, but Friendly Fire isn't doomed to cyberspace. The band writes some of the catchiest rock tunes this side of Paul Stanley, and it lives for the stage. Friendly Fire's shows are high-energy, high-humor, and high-fashion. You won't catch them wearing T-shirts and cargo shorts on stage.
"We wanted to dress up and put on a bigger kind of show," Stunner explains. "The idea was that we'd become these characters -- this kind of cartoony, show-band idea. We figured we'd put some kind of stage show together and try to get jobs at the local gay bars like in [glam rock cult film] Hedwig and the Angry Inch. This was before we learned there was a whole scene down here into our type of music."
The type of glam that Friendly Fire espouses is not the bastardized '80s version peddled by the likes of Poison or Cinderella. This is the real deal, daddy-o, '70s-style glam meets power pop that pays equal homage to the New York Dolls and early Cheap Trick. It's flashy, irreverent, catchy as hell -- and fiercely political. In case you still equate glam with hair metal, read the lyrics to Friendly Fire's "Social Insecurity:"