William Wegman's name has become synonymous with photographs of Weimaraner dogs, which he captures making humorous and humanesque poses. The images are available in books at Target and on notecards virtually everywhere. But another side of the artist emerges in "It's a Dog's Life: Photographs by William Wegman from the Polaroid Collection" at Florida Atlantic University's Ritter Art Gallery. Two small televisions show Wegman's experimental films. Coupling the films and photographs indicates that Wegman embraces both subversive edge and commercial appeal. Through film -- some without dogs -- Wegman plays with typical settings, like a magic trick or a cinnamon toast commercial -- in unusual ways. In one short, a man (Wegman?) drools milk on the floor in a linear puddle. The films are witty, disturbing, and at times inexplicable. The photographs, on the other hand, have a widespread attraction. Massive -- 24 inches by 20 inches -- the prints showcase the dogs' soulful eyes and silky fur. Some of them are a little more unexpected, with Wegman's subjects blending elegantly into their surroundings. In Sad Film, a single Weimaraner sits in an otherwise empty film auditorium, as if watching the movie that's coming from the projector behind. The dog's expression is inquisitive and forlorn. Stud 2000 features a Weimaraner sitting on a stationary bike, a towel draped around its neck. Mantle has two dogs lounging above a fireplace like floral decorations, almost blending with the massive stone chimney. While the photographs capture the animals' priceless expressions and the texture of their fur is scintillatingly reproduced, visitors who crave a little more risk with their art may find themselves drawn more to Wegman's films. (Through November 12 at the Ritter Art Gallery, Florida Atlantic University, 777 Glades Rd., Boca Raton. Call 561-297-2661, or visit www.fau.edu/galleries.)

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