By Michael E. Miller
By Allie Conti
By Keegan Hamilton and Francisco Alvarado
By Jake Rossen
By Allie Conti
By Kyle Swenson
By Chris Joseph
By Michael E. Miller
From the outside, the Falcon House in Delray Beach is respectable, dignified even, with pink impatiens lining the walkway to the 1925 tan stucco building. Inside the Chicago-style bar, however, the walls, lights, and photographs glow like the red coals of hellfire. If décor was any indication, I was in for a swanky, sinful good time.
On a Thursday night, though, the place was fairly sedate. A few couples sat at the bar, and a bachelorette party quietly honored the bride-to-be, a potential Mrs. America in tiara and sash. The only apparent naughtiness was the bride-to-be's panties, which had become a party hat. Two tennis players who had come over from Bull Bar, Mike and Keith, took turns sporting the white Lycra undies on their heads.
I sat at the dark-wood bar (reportedly a former staircase) swilling some of the best "slightly smudged" (not truly dirty) martinis I'd ever had, compliments of my new friends Chris and Meghan, who were rewarding me for amusing them earlier with my novel approach to getting rid of an unwanted suitor.
When the wild-eyed fellow had approached, the needle of my wackometer buried itself in the red. Thinking quickly, I fell back on training from a previous life. I asked if he believed in Jesus.
Raised a pagan Jew (don't ask), I served time as a born-again Southern Baptist in high school before reverting to a nonspecific, heathenish turn of mind. But my stint as a holy roller came in handy. During my short exchange with Mr. Wack, I touted family values and the Iraq War and ended my performance with "God bless George Bush" and all with a straight face. It was one of the toughest performances I've ever given. Worked like a charm, though. The fellow shoved off.
Because they'd had their own trouble ditching the guy when he'd pestered them earlier, Chris and Meghan were especially impressed by the creativity of my method. Now things were quiet, however, and there wasn't much to do but savor the perfect blend of olive and vodka.
Two nights later, I returned to find that, on Saturdays, the Falcon House scene picks up.
Passing through a parking lot full of Beemers, Caddies, and other luxury rides, I squeezed past the bar and popped into one of the Falcon's two womb-like rooms (as close to being once more born again as I'll ever get). Danceable tunes 69 Boys' "Tootsie Roll," Warrant's "Sweet Cherry Pie," and Outkast's "The Way You Move" cranked out of the state-of-the-art stereo behind the bar, but few of the Gen X-ers and Baby Boomers were moved. Most either stood or sat, leaning close so they could hear each other talk.
The intimate and ambient space of the converted historic home begged to be filled with whispered secrets and breathy promises, but the booming music wouldn't allow it. Neither was the space ideal for dancing. I guess the concept was to make things easy for the conversationally challenged or to disguise complete inanity.
With some people, however, there's no hiding the obvious. Patrick, somewhere north of 50, introduced himself by spewing numerals as he approached, then hit me with what he no doubt figured was a terrific opening line to deliver to a woman with a pen in her hand.
"Got it? That's my number. Give me a call," he said, satisfied with himself.
"I'm a writer too," he prattled. "I'm writing a play about Hunter S. Thompson coming back from the grave. I wanted to be a journalist, but I'm too lazy. I definitely would have been a gonzo journalist."
Dear Lord, deliver me from idiocy.
"I've done all my research. I mean, might as well put all my addictions to good use," he continued, making me suspect he had been doing "research" that night.
I'm not sure whether it was divine intervention, but when I declined his drink invitation, he finally buggered off. I was left alone long enough to admire the design of the brushed-metal-and-glass rack overhead that ran the length of the bar.
While I was waiting for my drink, an Abercrombie & Fitch poster boy slid up to the bar and ordered an L.I.T.
"What's that?" I asked, thinking he meant a "lite."
"Long Island Iced Tea," he said counting off each word with a finger until he got to iced and realized the problem.
"Well, we call it an L-I-T," the boy genius harrumphed as he claimed his drink and departed.
The bartender who delivered the drink had made a festive clothing choice. Beneath her sheer white top, red hearts covered her nipples. Nice touch. If you work for tips.
"Are those stickers?" I asked, always impressed by curious approaches to fashion.
"Pasties," she corrected. I refrained from remarking that indulging in pasties ($8.99 from Hustler) rather than stickers ($1.99 from Hallmark) was a financial if not mortal sin. That I held my tongue should be proof enough that she who controls the hooch controls the world, or in this case, the snarky nightlife columnist.
Soon, Stacey, a 39-year old pharmaceutical rep, sat next to me and gave me her veteran opinion of the place: "I've been here like 20 times. I like the atmosphere. Casual but sexy. It's not a pickup place. I mean, people pick up all the time, but it's not a pick-up place, you know?"