There's a sculptural surprise in the lobby of the Broward County Library: the colorful, mixed-media animals and figures of Felix D. Gonzalez. Past the gift shop sits the Angler Fish, Gonzalez's most abstracted and unusual piece, composed of found objects ranging from jagged pieces of metal, bicycle lights and pedals, spark plugs, cables, wires, and, as the lure on top of its head, a satellite dish. Bike tires make up the grotesque, crescent-shaped mouth, complete with voracious underbite. The piece captures the essence and ugliness of the anglerfish in a very attractive way. A more naturalistic, whimsical Giraffe, made of wood, steel, copper, and brass, stands near the shallow indoor pool. Two sculptures have wooden posts for bases, with branches gently carved into the knobs of a coat rack; a parrot perches on one, and a cutesy owl wearing a bow tie is perched on the other. One piece of wood flows into an elegantly carved fish with brightly colored fins and gold detail. The works are kitschy, but at least two out of three are functional; any Florida resident will recognize and possibly resent how overdone fish, dolphins, and parrots are. Gonzalez's naturalistic and figurative piece titled Tsunami is interesting in approach, with blades of grass and flowers carved from mahogany, climbing from the ground into a torso with plexiglass wings and a quizzical face. The name, however, changes the perception of it from what seems to be a gentle force of nature to the devastating destruction of it. (Through April 30 at the Broward County Main Library, 100 S. Andrews Ave., Fort Lauderdale. Call 954-357-7444.)

The small collection of pre-Columbian and ancient Mexican ceramics and sculptures currently on display at the Norton Museum of Art is aesthetically magnificent and historically significant. "Earthen Images: Ceramics from Ancient America" features 17 objects from six South American civilizations that flourished thousands of years before the discovery of the Americas. Three highly ornamentalized cylindrical vases sit together in a glass case, reflecting skeletal figures and organic designs in natural, subtle hues of orange, red, and cream. A sleek "Coprador" style Maya funerary sculpture of a dog holding an ear of corn in its mouth casts an unsettling gaze at its audience. Even more disturbing is the fact that these iconographic dogs from Colima were actual hairless creatures bred as ceremonial food and companions for the afterlife. The late pre-Classic (100 BC-300 BC) figures were found in eight of every ten Mayan tombs. Another creepy but fascinating object is a ladle, used during the ritual of human sacrifice. It depicts the sacred ulluchu fruit, which was believed to have anticoagulant properties, shaped into a ladle to hold the blood of sacrificial victims. (Through May 28 at the Norton Museum of Art, 1451 S. Olive Ave., West Palm Beach. Call 561-832-5196.)

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