Artbeat

Capsule reviews of current area art exhibitions.

George W. Bush may have famously (and incomprehensibly) once uttered that "human beings and fish can co-exist peacefully," but "Fresh From the Sea: Tairyobata and the Culture of Fishing in Japan" isn't doing anything to help improve the historically violent relationship between the two. If anything, the exhibit celebrates attacks on these marine creatures. OK, so they've got whimsically exotic names, but Tairyobata are actually large colorful flags flown from the fishing ships to celebrate the largest massacres (i.e., the big catches). And the exhibit perpetuates human violence against fish here in our homeland by displaying equipment and revealing techniques used in these fishing practices. Of course, the Japanese love eating fish once they're captured and killed, so the exhibit offers handmade dishware featuring images of fish on which they may be served post-mortem. The exhibit is a colorful variety of cultural and artistic artifacts — from the skeletal remains of one creature used for people's auditory pleasure to a fish-shaped Buddhist temple wooden "sounding board" on which visitors may announce their arrival — that celebrate human dominion over sea life. In sum, the exhibit is proof that we have a long way to go to improve human-fish relations before we can reach the piscine-homo sapien utopia our president believes in. (Through September 17 at Morikami Museum, 4000 Morikami Park Rd., Delray Beach. Call 561-495-0233.)

Miami Art Museum's "Big Juicy Paintings (and more): Highlights from the Permanent Collection" delivers on its provocative title with more than 50 items from the vault, along with ten loans, presumably works it hopes to acquire. As always with such grab-bags, there are clinkers, often from big names: a 1991 oil-on-wood abstract by Gerhard Richter that another artist dismissed as so much corporate décor; a surprisingly uninspired shaped canvas from 1971 by Frank Stella; even a small roomful of Joseph Cornell collages and boxes that, with one or two exceptions, fall flat. But there's plenty to compensate. Morris Louis' monumental 1958 acrylic Beth Shin is as captivating as ever, and Edouard Duval Carrié's Apotheosis of Erzulie Dantor is a delightful sprawl of mixed media. The show fares especially well with wall installations, from the shimmering acrylic cubes of Teresita Fernández's Eclipseto María Fernanda Cardoso's Cemeterio-jardín vertical(Cemetery-Vertical Garden), an assemblage of artificial white flowers wired to the wall in clusters. Most commanding of all is a loan — Enrique Martínez Celaya's massive portrait of the late Leon Golub, which MAM should be so lucky to snag. (Through September 17 at Miami Art Museum, 101 W. Flagler St., Miami, 305-375-3000.)

« Previous Page
 |
 
1
 
2
 
All
 
My Voice Nation Help
 
Miami Concert Tickets
Loading...