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One would have to dig hard and deep and get creative to find inaccuracies. You touched on some very tender subjects for the dive community: divers, retailers, and manufacturers alike, and you did it with such finesse. Truly an outstanding article! You did everyone proud. And you reminded us how much we loved and miss Zak. My hat is off.
Waynne Fowler
Olympia, Washington Kudos for Ashley: I just wanted to let you know that this is probably the best article on a diving death that I have ever read by a reporter.
Bruce Partridge
Shearwater Research Inc.
Vancouver, British Columbia
Don't blame the machine: I would like to commend you in your attempt to do the necessary background research for the article and for attempting to provide a sustained balanced narrative of the events that transpired leading to the demise of Zak Jones. I wish to clarify a few points:
1. No amount of open-circuit diving is a guarantee of safety with a rebreather. It truly is an apples-versus-oranges comparison. Zak was clearly an experienced open-circuit scuba diver, but this by no means translates into competency with a rebreather.
2. He dove to 200 feet without the correct bailout mixtures or even a regulator to switch to open-circuit bailout in case of an emergency. As your article properly hinted, this is tantamount to suicide (like skydiving without a reserve parachute).
3. Although we will never know with certainty what happened to Zak, the best explanation is that he incurred a "caustic cocktail," frantically tried to bail out, but, since he had no regulator, ended up drowning.
4. You are quite correct in pointing out that the margin for error on a rebreather is much narrower than on regular open-circuit scuba. The analogy I often give is that a rebreather is like driving a Lamborghini the machine will accelerate to 180-plus mph, but at those speeds, the slightest error can cost you your life.
5. I found it lamentable that you leave the reader with the unmistakable impression that Zak died because of the sinister "killer" rebreather. Nothing could be further from the truth. This tragedy occurred due to human error overconfidence, laziness, and a feeling of invulnerability.
Dr. Albert E. Lyngzeidetson
Department of Philosophy
University of Miami
Our Own John Simon
Breaking the bad news entertainingly:
I love Brandon K. Thorp's writing! His review of All the Great Books (abridged) (which I directed) was my favorite of them all (and the cast too), even though he hated, hated the play.I feel bad for friends and acquaintances who are associated with Burning Blue ("Discrimination Sucks Out Loud," November 23), but the director had been warned before about opening a play underrehearsed and not prepared technically (it happened before with Last Hairdresser), and it unfortunately caught up with him.
I appreciate the criteria Thorp set out at the beginning of the review he set the personal standard of the subject matter for the reader and stated that he was willing to be forgiving.
I look forward to his reviewing any production I may be involved in either as a director and actor, because I know I will get a fair and honest assessment from him, and it will be brilliantly written! And I can forward it to my friends, and they will laugh out loud!
Jerry Jensen
Hallandale Beach
Lousy theater was never so much fun: I'm sure there must be some redeeming features for Burning Blue, even though your critic couldn't find them. But his vivid writing is to be commended "Roseanne Barr naked" is a gem.
I will no longer miss John Simon's vitriol in New York Magazine now that we get reviews like this! Congrats!
Jim Tommaney
Artistic Director, Edge Theatre
Lauderdale Lakes
Why Don't We Get It?
It's that old Urban Renewal Polka!