By Lee Zimmerman
By Falyn Freyman
By C. Townsend Rizzo
By Jacob Katel
By Alex Rendon
By C. Townsend Rizzo
By Lee Zimmerman
By Liz Tracy
Evan Dando has gone missing.
That might not be surprising news to anyone who's followed the 39-year-old singer/guitarist's frequently brilliant, frequently maddening two-decade career, both as leader of the Boston-bred punk-turned-alt-pop trio the Lemonheads and, briefly, as a solo artist. For a while there, Dando had a penchant for not turning up at gigs and appearances. And, of course, there was that stretch of years from the late '90s until 2001 when he seemingly vanished from the face of the Earth.
On this occasion a scheduled Friday-afternoon phone interview to discuss the reemergence of the Lemonheads, recently reconstituted for their first album and tour in ten years Dando's publicist is having a hard time locating her client, a proud Luddite who's never used a computer and just recently purchased his first cell phone. The chat is rescheduled for the next day... and once again, he's nowhere to be found. Finally, the following Tuesday morning, Dando materializes on the other end of the phone, apologetic, gregarious, and candid. He's been on a mission scouring New York City for a couple of vintage guitars for his upcoming tour it's a healthy habit, he explains.
"I guess when you're evolving from spending so much money on drugs, you find something else to buy," he laughs from the back of a Lincoln Town Car that's shuttling him to the Sirius Satellite Radio studio in midtown Manhattan. "Back in the old days, I was OK doing both, but now I gotta do just one."
Ah yes, the drugs Dando's made no secret of the fact that he's sampled pretty much every substance under the sun and that a crippling addiction to crack and heroin played a giant role in his erratic behavior and the derailment of a once-successful career. I've witnessed Dando at his best and his worst: A 1993 Lemonheads show in Washington, D.C. at the group's critical and commercial apex was nothing short of spectacular. In 1997, however, during a show at New York bar Hogs & Heifers, Dando was as wasted and pitiable a performer as I've ever seen. But that was the past. These days, the now-mostly-clean-and-sober singer says he's thrilled with how well things are jelling with the touring version of the Lemonheads, which includes Vess Ruhtenberg on bass and Devon Ashley on drums. His only worry is that for this second leg, his wife of nearly seven years, British-born model Elisabeth Moses, won't be able to accompany him as she did in the fall.
"It's so much easier with her around, because she'll block everything and everyone from me, you know, the bad influences from my past and stuff."
Dando chuckles when I ask if that remains an issue. "Oh God yeah, you kidding? That stuff never dies. Once you're a dope addict, you're always gonna have people that are still dope addicts that know that you're vulnerable, and they're gonna bring you dope. It's hard, it's hard... and I have fucked up a couple times, y'know it happens. I'm just being honest with you. But I don't have any plans to do it again. I'm totally fine now."
Still, Dando acknowledges it was more than just an addictive personality that caused him to break up the Lemonheads after 1996's disappointing Car Button Cloth, the band's fourth album for Atlantic Records. "Actually, I was sabotaging my own career on purpose," he explains. "I didn't like where it was going. Whatever this thing was they had planned for me... me being one of those 10-million-selling people, which is what they were saying to me for [1993's Come on Feel the Lemonheads], you know, 'This record's gotta sell 10 million.' And I buckled. I was like, 'I don't really want that. I see what happens to people that that happens to, and it's usually not good. '"
"Not good" describes the following few years, until he met Moses and got clean. In 2001, Dando resurfaced with a live album, and in 2003, he dropped his "proper" solo debut, Baby I'm Bored. Soon after, he caught wind of a festival in Brazil at which all the bands played nothing but Lemonheads covers; it started him thinking that he'd like to record again under the Lemonheads moniker. The only problem was that the group's initial ten-year run featured so many lineup changes that there was no real "band" to reunite. So Dando reached out to one of his musical influences bassist Karl Alvarez, of Descendents and All fame.
"Karl was like, 'I think Bill [Stevenson, the iconic Descendents/Black Flag/All drummer] would be up for doing something,' and I was like, 'Fuckin' score I guess I really am gonna make this Lemonheads record,'" Dando recalls, noting that at age 16, he learned to play drums by bashing along to the Descendents' 1982 LP, Milo Goes to College. "Bill was a really important dude to me. And a lot of people don't know that he's a killer songwriter one of the reasons I'm really proud about the new album is that it really showcases his songwriting too."
Then, Dando lets out a perturbed groan. "Fuck, the guy let me out of the car, and now I don't know where I am. I don't know where I'm supposed to go, at all! Call me back in a couple of hours... [click]."
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