Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Paul Weller

Hit Parade — Single CD Version (Yep Rock)

Share

  • rss

By J. Poet

Published on January 30, 2007 at 5:19pm

Although he hasn't made much of a splash on this side of the pond, Paul Weller's British career marks him as one of the most successful artists to emerge from the punk/new-wave scene. This CD sampler culls 23 tunes from the four-CD, 67-track Hit Parade retrospective box, and although it's easy to quibble about a track selection that excludes a few seminal hits, it's still a solid introduction to an artist who should be better-known in the U.S. Many Americans dismissed Weller's first band, the Jam, as a pale imitation of the Who. Both groups used American R&B as a template, but Weller's songwriting was always unique, with a distinct vision of Britain's youth culture. The Jam's blazing energy and social consciousness, represented here by "Going Underground" and "The Eaton Rifles," is still impressive 25 years later. In 1982, Weller created the Style Council to showcase the melodic, soulful side of his songwriting and arranging. That act's sound was polished and radio-friendly, with tunes like "Speak Like a Child" and "Walls Come Tumbling Down," dominated by Mick Talbot's commanding keyboard work and Weller's gritty horn arrangements. Since the early '90s, Weller has been a solo artist, making music that combines all his interests — pop, soul, jazz, folk, R&B, Motown, and rock. Highlights include the swampy soul of "Peacock Suit"; "Sunflower," a Beatlesesque tale of aching nostalgia; and "Broken Stones," which combines a sunny '70s California folk rock vibe with a disconsolate lyric full of loss and longing.