Most Popular

  • Sexual Healing
    Sad stories and otherwise freaky tales from Florida's last sexual surrogate
  • To Hug a Porcupine
    Three little boys set out to destroy the parents who loved them. This isn't how adoption is supposed to work.
  • Smoked Tuna in the Can
    He was the first big bust of the War on Drugs. That and two bits won't get you a cup of coffee.
  • Backbreaker
    A half-kilo of blow, machine-gun blasts, and a millionaire chiropractor. Does this make sense?
  • Rubber Doll
    Polite businesswoman by day, international fetish icon by night

Recent Articles

Recent Articles by Mark Keresman

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Betty Davis

Betty Davis (Light in the Attic)

By Mark Keresman

Published on June 14, 2007

 Listen to the track "Anti Love Song" by Betty Davis here. Music history is packed with people on the periphery of fame, amazingly talented, and/or ahead of their time that never quite ¨make it,¨ defined by achieving stardom and riches. Eccentric model and singer Betty Davis, a former Mrs. Miles Davis, is all of these things, and with the deluxe reissue of her first two albums plus bonus tracks and copious booklet notes, she just might get the recognition due her, albeit 35 years later. Her 1973 debut, Betty Davis, was mos def beyond the pale of the times. Picking up where Sly & the Family Stone left off, it´s an incendiary collage of nasty, churning funk and chunky aggressive rock, with Davis´ raspy, unreservedly salacious singing as the highlight of it all. She comes off like a genetic cross between Tina Turner, Janis Joplin, and P.J. Harvey. Davis´ boldness and in-your-face sexuality makes Courtney Love sound like Enya. Portions of ¨You Won´t See Me in the Morning¨ anticipate the quirky-thorny strut of Talking Heads circa Remain in Light. Her relationships with Jimi Hendrix, Sly Stone, and Hugh Masekela are evident in her style. Sadly, even the more eclectic airwaves of the early 1970s were not ready for her, and she suffered boycotts because of her brazen attitude. Her ´74 follow-up, They Say I´m Different, was a tad more funk-oriented -- imagine a femme-fronted Funkadelic circa Maggot Brain/Free Your Mind -- and even more assertive regarding women´s love rights. Even a passing listen to ¨Don´t Call Her No Tramp¨ and ¨He Was a Big Freak¨ (¨I usta beat him with a turquoise chain!¨) will attest to that. All hail Queen Betty Davis, leader of S&M funk.