The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.
South Florida's lawless exotic rental car industry keeps rolling.
In Texas, restitution for victims is nothing but a state-sanctioned sham.
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
The voice sounds hauntingly familiar, betraying a slight hint of a reggae lilt and a casual charm. That's not surprising considering Scottish-born Colin Hay's tenure at the helm of Men at Work, an Aussie outfit whose relentlessly catchy hits — "Who Can It Be Now" and "Down Under" chief among them — gained them a tenacious lock on the Top 40 charts during the early '80s. The band's quirky new wave panache and goofy MTV videos contributed to its off-kilter image, but it was Hay's spunky vocals that formed the core of its sound. Radio handed Men at Work their pink slips in the mid-'80s, but Men's main man soldiered on, releasing a string of solo albums that found him refocusing his sound on journeyman narratives and emotional outflow. Those looking for a quick Hay replay might want to check out 2003's Man at Work, a set of rerecorded tunes that draw on the band's catalog and his own formative solo songs. Better yet, grab a copy of his 2001 effort, Going Somewhere, his best disc to date, or his latest, Are You Lookin' at Me?, a collection of autobiographical ruminations that document the winding trajectory that's taken him from Down Under to the top of his game.