Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

  • Phoenix New Times

    The Greatest Dane

    Bigger than Shaq and proud of it, the world's tallest dog may be living in Tucson.

    By James King

Various artists

The Inspiring New Sounds of Rio de Janeiro (Verge)

Share

  • rss

By Jason Ferguson

Published on October 10, 2007 at 9:36am

Thanks to the Diplo-inspired popularity of "favela booty beats" among U.S. audiences, there's a certain expectation of unhinged rhythmic fire and verbal violence when it comes to Brazilian hip-hop... especially the type emerging from the slums of Rio de Janeiro. This multifaceted compilation from the upstart, "socially conscious" Verge label makes it clear that those rockist, sexually aggressive sounds are but one part of the noise made by Rio beat-bangers. In fact, to ears saturated with the grungy "baile funk" sound, the overall sonic impression left by The Inspiring New Sounds of Rio de Janeiro is one of polished diversity and accessible positivity. In other words, there's no popozuda-poppin' here. Unfortunately, rather than being a sort of backpacker analog to the favela thug party, the artists on Inspiring come off as lite-jazz, Brazilian versions of Arrested Development. While these sounds may indeed be emotionally inspiring, they're musically flaccid, thanks to unimaginative production and clunky verbal flows. Even with the rhymes in Portuguese, it's impossible to ignore the mouthful-of-marbles style of rhymers like Edu Lopes of A Fillial, especially given the thin, predictable "bossa-funk" backdrop he's rhyming over. Even putting aside the putative hip-hop tracks and focusing on the more pop-oriented and traditional songs on this compilation, the glowing, up-with-people vibe of the disc ultimately becomes grating and somewhat disingenuous.