Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Sharon Jones & the Dap-Kings

100 Days, 100 Nights (Daptone)

Share

  • rss

By Michael Roberts

Published on December 12, 2007 at 10:40am

Retro soul's got to be damn fine to justify its existence, since the stuff it's modeled on is readily available for listening pleasure to anyone with a computer and access to Rhapsody, iTunes, or any number of re-issue catalogues. Fortunately, the latest from Sharon Jones & the Dap-Kings qualifies as "damn fine," thanks to vocal authenticity and retro recording equipment that offer inventive takes on the old blueprint. The Dap-Kings, whose skills are displayed on Amy Winehouse's Back to Black, avoid over-emoting, opting instead for casual cool that's the aural equivalent of a sly smile. Jones, meanwhile, delivers the likes of "Nobody's Baby" with unaffected confidence. If the results aren't quite as thrilling as 2005's Naturally, the disc will still sound just as good days or nights.