Most Popular

Recent Articles

Recent Articles by Gustavo Arellano

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Café Tacuba

Sino (Universal)

By Gustavo Arellano

Published on January 17, 2008

This latest effort by Mexico's supreme rock en español group will grow on you, but that's not necessarily a ringing endorsement. Café Tacuba made its name by fusing Latin American rhythms with American pop-punk sensibilities, but los tacubos have ditched their Mexican heritage in favor of shiny, shimmering music. Although Sino is probably better than 80 percent of the albums that will be released this year in any language, it's still the group's weakest effort, a black sheep in the quartet's galaxy of border-busting hits. Not only that but the overall tone of Sino embodies denouement: retrospective lyrics (reflection, solitude, with the sassiness of the salsa-tinged "El Outsider" representing the only defiance) and music ('80s New Wave and beat-box influences) that muddle along to an atrocious drum solo near the end — more heinous given that the group made its name without a drummer. Then again, I've been playing the album all weekend, liking it more with each listen. If you're a longtime Café Tacuba fan, buy Sino to support your boys. Newcomers? You're better-suited buying 1994's Re.



Broward-Palm Beach New Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com