Get Off the Stage marks Too $hort's 17th album — not counting compilations and reissues — but it's also the end of an era. It's his last for Jive, the label he's been associated with since 1988. "I'ma legend in the game," he says on "Shittin' on 'Em," adding, "I got the most albums and the most rhymes." Unfortunately, Get Off the Stage isn't one of Too $hort's better records. There's a more interesting album to be made from just compiling his guest appearances over the past two years. Get Off 's ten songs mostly regurgitate past work; it's hard to believe the rapper has never made a song called "Broke Bitch" before. The production switches between hyphy and crunk without adding much to either — but it's great if you like generic strip-club anthems with Lil' Jon-esque beats. Highlights include the title track, notable if for no other reason than that $hort's signature expression — "biatch!" — is applied to the male gender for perhaps the first time. "This My One," featuring another Bay Area legend, E-40, finds $hort advocating for the legalization of sideshows, while "Dum Ditty Dum" adds the Pack's youthful energy over a rambunctious Young L track. Throughout the rest of Get Off, $hort is either mean-spirited, misogynistic, or both. It would be nice to hear Todd Shaw reflect on the lessons he's learned over the past two decades; instead, we get Too $hort recycling lines over updated beats.
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