Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

North Mississippi Allstars

Hernando (Sounds of the South)

Share

  • rss

By Lee Zimmerman

Published on February 06, 2008 at 10:50am

For the first six albums, a dozen years into their collective career, the North Mississippi Allstars opted to take a more traditional approach to their rural, rootsy designs, resulting in a sound that paid homage to blues by the book. Then again, that's not surprising considering their family pedigree — two members of the trio are offspring of legendary Memphis producer Jim Dickinson. It also shows definite credence to name the band after the fertile musical environs where they were raised. However, now that they've gone indie, the all-star trio — singer/guitarist Luther Dickinson, drummer Cody Dickinson, and bassist Chris Chew — has found the impetus to reach beyond its more orthodox precepts by opting for a somewhat edgier motif. The results are manifested in a raucous blend of relentless riffing, sweat-soaked boogie, and full-blown funk. There are familiar precedents, of course; hints of Stevie Ray Vaughan, Little Feat, Hot Tuna, ZZ Top, and others of that ilk are all echoed within. No wonder either that Luther recently announced his intent to join the Black Crowes, a band with similar archival interests. Regardless, "Keep the Devil Down," "Soldier," and "Take Your Time, Rodney" come across as energized and exhilarating, while the subdued blues of "I Would Love to Be a Hippy" offers anecdotal affirmation for these retro refits.