Most Popular

  • Sexual Healing
    Sad stories and otherwise freaky tales from Florida's last sexual surrogate
  • To Hug a Porcupine
    Three little boys set out to destroy the parents who loved them. This isn't how adoption is supposed to work.
  • Cookie Monsters
    It's the old diet doc versus the marketing gun in the great war of the tasty appetite suppressors
  • Smoked Tuna in the Can
    He was the first big bust of the War on Drugs. That and two bits won't get you a cup of coffee.
  • Shark Huggers
    Tourists can't wait to get next to them – even if they are eating machines
"Most Popular" tools sponsored by:

Recent Articles

Recent Articles by Lee Zimmerman

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Chatham County Line

IV (Yep Roc)

By Lee Zimmerman

Published on March 13, 2008

It would be only natural to surmise that this North Carolina combo called Chatham County Line has returned to its roots, given the fact that it's reunited with former producer Chris Stamey and that its aptly named fourth album recaptures the essence of its original back-porch motif. This is, after all, a band that's always been drawn to the basics, one whose standard setup of guitar, fiddle, bass, banjo, and mandolin parlays a rural regimen, albeit with an insurgent intent. The only hitch in that assumption is the reality that... well... this isn't the bluegrass barnstormer the foregoing description might otherwise imply. Although songs like "Chip of a Star," "Birmingham Jail," and "Thanks" convey rustic, homespun designs, the emphasis on world-weary reflection and elegiac sentiment finds the music resonating with a more cerebral stance. Even the more up-tempo tunes — "I Got Worry" and "Whipping Boy" in particular — say as much about attitude as they do about aptitude. The band may stake a claim to a down-home sound, but it also knows how to up the ante with edge and intensity. Consequently, even those listeners who have no particular affinity for any sort of bluegrass ballyhoo will find themselves drawn to this spunky ensemble's approach. At this stage in its career, Chatham County Line is well worth watching.