Most Popular

  • Sexual Healing
    Sad stories and otherwise freaky tales from Florida's last sexual surrogate
  • Backbreaker
    A half-kilo of blow, machine-gun blasts, and a millionaire chiropractor. Does this make sense?
  • To Hug a Porcupine
    Three little boys set out to destroy the parents who loved them. This isn't how adoption is supposed to work.
  • Switch Hitter
    Before swinging a bat in a lesbian softball league, pick a side. Gay or straight? Or something else?
  • Unfinished Business
    A son denied becomes a festering campaign issue haunting Commissioner Eggelletion as Election Day approaches

Recent Articles

Recent Articles by Michael Gallucci

National Features >

  • SF Weekly

    Identity Plagiarism

    A blogger steals someone else's life story and calls it her own.

    By Ashley Harrell

  • Westword

    Fuel's Gold

    How William Orr's quest for better, cheaper gas became a crime.

    By Alan Prendergast

  • The Pitch

    McCain Girl

    I worked at Kmart with John McCain's director of strategy.

    By Alan Scherstuhl

The Mars Volta

The Bedlam in Goliath (Umvd)

By Michael Gallucci

Published on March 20, 2008

The Mars Volta switches gears on its fourth album, giving beat-propelled dance pop a spin. We kid! The Bedlam in Goliath is stuffed with nine-minute alt-prog epics — the type the band has refined to blood-drawing sharpness over the past seven years. We're not quite sure what singer Cedric Bixler-Zavala is going on about in songs like "Aberinkula" and "Ouroborous." And we have no idea what he means when he proclaims, "I am a deaf con of Angora goats." But we do know that the super-complex time signatures and hectic sonic twists that make up the 75-minute CD leave us totally dizzy. Not to mention indifferent, since we've heard it all before.

Show Pages