Soulive Evolves

The kings of nu-jazz grow up

Personally, I just can't stand doing the same thing all the time," says Soulive drummer Alan Evans. "And all of us feel the same way. I think a lot of musicians, no matter what you're doing, you always feel the need to reinvent yourself."

Subsequently, to keep from stagnating, Evans and his bandmates (Eric Krasno and biological brother Neil Evans) have begun to focus on composing shorter songs, something that's not easy for the typically jam-oriented musicians.

"It's a challenge to say something meaningful in a short period of time, within the structure of a song," Evans notes.

He reached this conclusion one day while he and a friend were listening to a Jimmy Herring solo. The Aquarium Rescue Unit guitarist's playing brought things into focus.

"It was the most insane guitar solo I've heard," Evans recounts. "And he was like, 'Dude, now listen back to it, and I'm gonna time it.' And he timed this guitar solo, and it was somewhere, from what I remember, between 12 and 20 seconds long. Before he pointed that out to me, you would think the guitar solo was like ten minutes long. And that's no bullshit, man. What that demonstrated to me was that you didn't need to take a 20-minute guitar solo to really make a point, to really say something. Dude did it in less than 20 seconds. He said more than most cats say in a whole evening of playing. I just thought that was really powerful."

Soulive takes a similar less-is-more approach on its latest effort, No Place Like Soul, the first new release on the recently relaunched Stax imprint. Evans says he's psyched to be working with the iconic label, which has released records by some of his favorite artists: Isaac Hayes, Otis Redding, and Booker T. & the MG's. In the tradition of those Stax recordings, Soulive wanted to make No Place Like Soul a cohesive album, not just a collection of tunes.

"It's an album, from start to finish," he says, "which I don't think you find very much anymore."

Evans has a point, especially in the singles-driven iTunes era, which didn't even exist back when Soulive first got together and issued its debut, 1999's Get Down! Inspired by organ-based trios and Jimmy Smith, Soulive's groove-laden sound straddles both soul and jazz in a way that no other group on the market is able to do. But as the players matured, they felt like they needed to move forward and rethink things stylistically.

"Doing the soul-jazz thing was a lot of fun, but we just got tired of doing it," Evans confesses. "We had a great time doing it, and we wrote some really cool tunes. But especially when you're a touring band like we are, you're playing those tunes every night — and we were improvising on those tunes. But you can only do so much, and then it's just time to write new tunes."

Soulive performs on Friday, April 4, at the Culture Room, 3045 N. Federal Hwy., Fort Lauderdale. Tickets are $18, and the show starts at 8 p.m. For more info, call 954-564-1074, or visit www.cultureroom.net.

 
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