Most Popular

  • Sexual Healing
    Sad stories and otherwise freaky tales from Florida's last sexual surrogate
  • To Hug a Porcupine
    Three little boys set out to destroy the parents who loved them. This isn't how adoption is supposed to work.
  • Smoked Tuna in the Can
    He was the first big bust of the War on Drugs. That and two bits won't get you a cup of coffee.
  • Backbreaker
    A half-kilo of blow, machine-gun blasts, and a millionaire chiropractor. Does this make sense?
  • Rubber Doll
    Polite businesswoman by day, international fetish icon by night

Recent Articles

Recent Articles by John Linn

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Sweet Read

By John Linn

Published on April 17, 2008

At the age of 19, just after writing her debut hit play A Taste of Honey, Shelagh Delaney appeared on the cover of the Saturday Evening Post, smiling coyly and holding the smoldering butt of a cigarette. Twenty-nine years later in 1987, Delaney’s mug would grace another cover – this time, a Smiths’ collection of b-sides and singles called Louder Than Bombs. It was Honey that had inspired much of Morrissey’s lyrics, including the song "This Night Has Opened My Eyes,” based on the play’s main female character, Jo. Do you think at the time of that first photo shoot, the youthful Delaney, an unproven playwright, imagined she might become a major influence on one of the 20th century’s most prolific songwriters?

Indeed, A Taste of Honey was well ahead of its time. Its themes were premarital and interracial sex, domestic violence, teen pregnancy, and homosexuality. This was 1958. Two years later, Angela Lansbury and Billy Dee Williams would star in its Broadway production, and the rest was history. Delaney’s story proves the power of the playwright’s pen – one of the main reasons The Ghost Light Series, an independent readers’ theater project, will present Honey tonight at 7:30 p.m. Now in its third year, the series focuses on bringing the words of the playwright to life by gathering together local talent to read scripts with minimal production. Think of it like A Taste of Honey: Unplugged. Readings are held at the Collins Community Center (3900 NE Third Ave., Oakland Park); admission is free. Call 954-270-0998.
Mon., April 21, 7:30 p.m., 2008