Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Broward/Palm Beach's most popular hot spots.
user content provided by: LikeMe.net & Broward-Palm Beach New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Burning Spear

Share

  • rss

By Mark Keresman

Published on September 10, 2008 at 10:00am

Jamaican singer and songwriter Winston Rodney, AKA Burning Spear, did some of the best roots reggae of the 1970's (we hipsters called it just "reggae" back then), loaded with Rastafarian anger at the forces of oppression, gutsy island soul, and deep grooves. But now that it's 2008, what is Burning Spear up to? Has he switched to dancehall, or is he engaging in some bubbling mainstreamish world fusion that trendy coffee shops use as background sound? Thankfully not. The Spear seems mostly oblivious to trends and is still engaging in the righteous fight against Babylon. The hallmarks are still in place — that island cadence, powerful message, and bittersweet horn riffs inflected with African highlife and '60s American R&B are all there. Perhaps best of all, Spear's slightly raspy, wise-old-man vocals hold everything together with a rich mix of religious fervor and compassion. One very nice (newish) touch: a female chorus on a few songs, which gives them more of a Southern gospel feel than reggae. One misstep — the slightly cheesy bass 'n' drum remix of "Step It." Why not a dub version? There are guest shots from Bootsy Collins and Bernie Worrell, but they're in the background, so don't buy this for them. Get Jah Is Real 'cause it's the real thing by an iconic performer who's not merely coasting on past glories and who still has the right stuff.