By Natalya Jones
By County Grind
By Liz Tracy
By Chris Joseph
By Liz Tracy
By Matt Preira
By Jesse Scheckner
By Michael E. Miller
With Some Kind of Monster, how hesitant did you feel airing all that dirty laundry?
I didn't want any of it to come out. But then I thought it can help people see that therapy is not a bad thing. I come from a generation where therapy was stigmatized. Going to see a shrink was considered a weakness. But after my experiences, my whole deal was, "If we can help people work their way through whatever situation they're going through, then I'm fine with it." But, by the same token, I'm a very private person. So I really had to make a concession. If there's a band out there on the verge of breaking up, maybe they'll see this movie and think otherwise. I had a long talk with the producers about that very thing.
After the Napster backlash, how do you look back on the band's attempt to fight downloading?
I'm still against file-sharing. I still think people should respect the concept of intellectual property. I don't have a problem with downloading that intellectual property once the people that deserve to be paid do get paid. Technology is a double-edged sword. It's convenient and quick, but we pay a pretty high price for that convenience, that impatience. I would much rather be able to go out and buy a better-sounding CD than a shitty MP3. The whole email and texting thing — I'm not sure if it's really bringing us together as much as it's isolating us. I kind of miss how people used to just call each other up.