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Lita Ford has been a professional musician since she was a teenager. As the tough lead guitarist with L.A. all-female hard rockers the Runaways, the statuesque California blond held her ground onstage and shredded as ferociously as heroes Ritchie Blackmore and Jeff Beck. The group recorded four studio albums (and a live disc during a rapturously received tour of Japan) before disbanding due to creative differences. Guitarist (and, on the last two albums, lead vocalist) Joan Jett wanted to pursue a bare-bones, punky sound, while Ford's interest in the heavier, more metallic side of things was growing.
Ford made her solo debut in 1983, with Out for Blood, a ten-track blast of glam-metal fury with street-gang lyrics and screaming leads and solos. And on its cover, she swapped her Runaways look of T-shirts and bell-bottoms for a black leather ensemble that revealed the body beneath.
"Me and the bass player came up with that," Ford says, laughing by phone from New York, when reminded of the cover ensemble. "That was quite a long time ago, so I had to think about that. The bass player [Neil Merryweather] made that outfit. He used to make leather stuff, and he was really good at it, like the gauntlet on my hand and the crotch piece, he actually hand-made all that stuff."
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In a way, Ford has come full circle since that album cover in '83. She has a new release, Wicked Wonderland, and it's the heaviest, hardest thing she's recorded since her earliest days. And inside the lavish booklet and on her website, the 51-year-old married mother of two is pictured in a variety of leather and fetish ensembles and sometimes holding an ax (a real one, not a guitar) or a double-barreled shotgun. Lita Ford is badass, possibly more now than ever after 15 years out of the spotlight.
She's been married since the mid-'90s to Jim Gillette, former lead vocalist for the over-the-top glam-metal act Nitro. In recent years, they've been living a secluded life on an island in the Caribbean — fishing, growing their own food, and homeschooling sons James and Rocco. Even the album was a family affair: Gillette, who also produced it at their home, handles co-lead vocals on many tracks. And as Ford says with a laugh, "The kids were there when we were making it. You can probably hear them yelling in the background of some tracks."
When Ford walked away from the industry, she did so as decisively as can be. "I pretty much was a full-time parent," she says. "We did record some songs for my older son, just for fun, but other than that, I didn't really play too much once I had my first son. I got bored with it, like some people get bored with whatever they do. But it's something that's also addictive. It's in my blood, and I'm not ready to completely hang it up. I've gotta give it another go-around for me and for my family. I want my kids to see me play."
Though the songs are hooky, with choruses you can pump your fist to and sing along with, Wicked Wonderland strays quite far from the pop metal and radio-friendly hard rock of 1988's Lita and 1991's Dangerous Curves. (Those, of course, are the albums that sported hits like "Kiss Me Deadly," "Close My Eyes Forever," and "Shot of Poison.") It's a heavy, industrial-tinged album, almost closer in spirit to a Rob Zombie or Marilyn Manson disc, and Gillette's vocals are hoarse and grunge-influenced, not the high-pitched shriek of his previous work. "I needed somebody to hit the heavier side, which, being a female, I can't do," says Ford. "So I wanted him to be able to cover that side of the album.
"We just started jamming, and that's what we came up with," she says of the new sound. "We didn't want to do an album that was lightweight and adult contemporary, which is what people would probably expect from somebody who's 51 years old. But I just wanted to rock. I think a lot of Lita fans will listen to my stuff and say, 'It doesn't sound like her, but then again, it does sound like her.' As soon as the vocals kick in or the guitar kicks in, you know it's me. It didn't lose the Lita vibe — my voice still sounds the same."
Almost all the songs on Wicked Wonderland are about sex — but not in the love-song-with-an-edge way Ford's earlier material was. These are raunchy anthems sung by a woman whose bedroom tastes run to the kinky side. "Bed" includes lyrics such as "Tie me to the bed/Bow your head when you approach your queen... You give me pleasure with pain and always make me scream" and has been licensed to fetish website Stockroom.com, where Ford and Gillette have a ministore selling gear they personally endorse. "I love wearing their clothes and using their toys," she says. "They're just very classy, very wonderful, high-quality items."
On the surface, such lyrical content might seem a surprise coming from a woman who lives on a remote island, homeschooling her kids — and who's also included a song called "Patriotic S.O.B." on Wicked Wonderland. But Ford hasn't transformed into a female Ted Nugent by any stretch. "I am a little bit patriotic/conservative," she says, "but I think Jim is more so. That song actually wasn't supposed to be a Lita song, but then I was like, 'Whoa! Wait a minute! This song rocks! We gotta use this song!' It absolutely fits because of our new president, and the way things are going with that. It's our first black president, you know? It's a very right-with-the-times song. So it's got its place on Wicked Wonderland, even though it's not sexual. It's one of my favorites."