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Cut Chemist isn't just a turntablist or producer who makes beats. Born Lucas MacFadden in early-'70s Los Angeles, Cut came up at a time when DJs were starting to push the envelope creatively with production and live shows. As a founding member of the rap crew Jurassic 5 he, alongside DJ Nu-Mark, helped reintroduce the DJ at the forefront of a group.
Later, on his famed three-part Brainfreeze mix series with DJ Shadow, the pair exhausted almost every genre existing on 45s. Then on his first solo record, 2006's The Audience's Listening, Cut crafted his own narrative that bridged dance-floor cuts and head-nod music, still making the LP sound like it was manipulated by a DJ.
This Thursday, he comes to South Florida fresh off another original project, Sound of the Police. Sure sounds funky. Expect the unexpected as Cut plans to mount a full audiovisual performance and take the party for a ride on the mothership.
New Times: Your last solo LP, The Audience's Listening, came out in 2006. What's been going on with you since?
Cut Chemist: DJing a lot, doing shows, and trying to show people the whole audiovisual thing I do. A lot of people haven't really seen my show because I'm always doing spots around the world. This is the first time I can do a place like Miami. Shadow and I put out the Hard Sell mix in 2007, which is another follow-up to the Brainfreeze and Product Placement series. Sound of the Police is the first thing I've put out myself since, really to let people know I'm still alive before I put out another record and see if the audience is still listening.
Tell us about the new mix CD you just put out, Sound of the Police.
It's more like the DJ Shadow and Cut Chemist Brainfreeze-type compositions. No computer stuff, just one turntable, loop pedal, a bunch of African and South American records, and a lot of tape. I try to keep my mixes all vinyl. I don't think I've ever used Serato for anything that's recorded. Performing live, I'll use it; I don't discriminate against technology. But this type of mix, it's all records.
I started collecting records in '84, got into break dancing, then DJing and just stuck with it. I always liked music and records before hip-hop came around. I was lucky to meet people like Chali 2na; we formed Jurassic 5, and that's how it got started as a career. J5 kicked it into high gear. I started peddling around ideas to do a solo record, Warner Bros. picked me up, and my obligations became so great with them, but J5 kept touring, and I couldn't do both.
How was the transition from being the backbone of your crew to strictly working on your own solo material?
Lonely. I was used to sharing ideas with five other people for the longest, and then it was just me. It took a lot of getting used to. Also doing shows by myself was kind of strange and having to be my own frontperson. I brought Hymnal with me [the MC on "What's the Altitude"] to tour together and also my visual guy, so that kind of became the new band. We shared similar ideas on hip-hop and music in general, and it became easier to tour together.
What can the party people look forward to this Thursday at the Vagabond?
I'm excited to get out and have people see the show that I've been doing for the last four years with my audiovisual set. I think Miami is going to dig it, because it's catered to people who are into a lot of different things: funk, Miami bass, hip-hop, abstract, progressive stuff. I bring my A/V guy, and he kind of does what I do musically on the videos. He digs for old obscure movies and takes clips from them, making a collage while I'm doing the music side. It's going to be a full Cut Chemist show, so get ready for something different, and a good time; I'm going to take it there for sure.
Lastly, what's that certain record you play in your sets that you feel takes the party to the next level?
I don't really have one, but I know when I drop the [DJ Shadow] "Number Song" remix and people start dancing, that's the point in the night where I know I can take people and go.