Though they barely knew how to play, Mickey put his guitar in an open-E tuning so he could slap some notes into the amplifier as he danced around the stage and sang. This was around the time the Rathskellar, a smoky subterranean dive bar known better as "The Rat," opened in the basement of a restaurant in downtown Boston. Appealing to the burgeoning punk movement, the iconic venue would come to be known for hosting everyone from the Talking Heads to Thin Lizzy to Tom Petty. But before them all, he says, there was Mickey Clean and the Mezz.
Asa Brebner, now a promoter and producer in Boston, was in the band with Mickey. "He would take hold of the microphone and just gyrate and totally let go of everything onstage," he remembers. "And he was doing it before anyone."
Photo by Michael McElroy
Some people call Mickey Clean "the patron saint of Fort Liquordale."
Photo by Michael McElroy
For ten years, Mickey Clean has drawn colorful crayon caricatures by the beach.
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Sure enough, a Spin magazine story about the formation of punk music in Boston names Mickey as one of the first influences on the genre. Brett Milano, author of the book Sounds of Our Town, a history of rock 'n' roll in Boston, says Mickey is thought of "as one of the formative names on the Boston scene." He says that several of the musicians he spoke to for his book cited Mickey as one of the main reasons they started a band. Mickey's band is even listed on the Wikipedia page for "punk music" — and Mickey certainly doesn't know how to update Wiki pages.
In the late '70s, he moved back to New York, where the band booked a few gigs at CBGB, the punk venue made famous by the Ramones, the Misfits, and Patti Smith.
He also tells stories about the time he was on TV Party, the quirky late-'70s/early-'80s cable access show in New York. The show is adored by retro-crazed scenesters and is known for introducing the world to new-wave icons like Mick Jones (the Clash), David Byrne (Talking Heads), and Debbie Harry (Blondie). It's recently been made available on DVD. And indeed, in an episode that aired February 17, 1981, Mickey Clean was the musical guest. With a backup band — a man dressed as a monk playing the accordion and an albino man playing guitar — a young, lanky Mickey sang deeply into the microphone while writhing all over the set.
Not long after that, Mickey says, the band broke up, and he floated around New York, Toronto, Montreal, and Boston. "Heroin was getting real big back then," he says ominously. He says he hitchhiked across the country and got a ride (and a joint) from Robert Redford. (Redford's representatives did not reply to requests for comment.)
His life took a fateful turn when he met Christine McConnell, an heiress to the Avon fortune. She wanted Mickey to move to Florida with her. There, near the beach, they could get any kind of drink or drug they could imagine.
A little more than ten years ago, though, she was committed to a mental institution in New York. Not long after, she died, but she left him the house. All he has to pay are the property taxes — $6,000 to $10,000 a year. And so, to satisfy Uncle Sam and to feed the cats around the neighborhood, Mickey started drawing tourists by the beach for dollars. Once he started, he never stopped.
If only he could get a song on the radio for a few weeks, he says. If only people could see Rodney the Rodent. "It's Lenny Bruce meets fucking Mickey Mouse," he says. "Who wouldn't love that?"
He takes a drink. "I'm my own worst enemy," he laments. In the battle of man versus himself, he fears he's already lost. All the drinking. The drugs. The missed opportunities. Looking back, it seems like such a short road from artistic pioneer to here. "I'm self-sabotaging," he says. "I just hope it's not too late."
Asked about all of the thousands of people who have probably framed his drawings, he brushes the question aside.
"I can't really get big until I get my teeth fixed anyway," he says.
One subdued Fort Lauderdale evening, the wind is blowing in hard off the water, and Mickey's almost ready to call it a night. He parks his bike outside Treasure Trove and strolls into the bar, receiving nary a glance from the room full of downcast eyes. The twangy, bawdy voice of country singer David Allan Coe booms from the speakers, and the patrons are atypically gloomy. He looks around for an unattended beer, but there are none. Then he tries to drum up some business. "Caricatures?" he says to no one in particular. Nobody looks up. He tries again: "Caricatures? A buck a person?" No response.
He approaches a group of three near the end of the bar. He pulls out his marker. "You guys want a crayon caricature? A Mickey Clean original."
"No thanks," says a man in a windbreaker.
"C'mon, you guys'll love it," Mickey says, already outlining their silhouettes. "I did all of these on the walls."
They try not to look in his direction, but he's already filling the page with color. Instead of their frowns, Mickey draws them each with a bright, happy grin. Instead of the dark night behind them, Mickey draws a warm, sunny day.