By Terrence McCoy
By Scott Fishman
By Deirdra Funcheon
By Allie Conti
By New Times Staff
By Ryan Pfeffer
By Deirdra Funcheon
By Kyle Swenson
At this point, do you care about how you're perceived?
"Can't control that," he answers. "It's how I perceive myself. It's like in Apocalypse: 'Willard, are you free of the opinion of yourself; are you free of the opinions of others?' It's like, people that don't know Apocalypse suck at life." Sheen turns to Coppola for approval. "Right?"
"I'm with you on that."
On my way out, I overhear Coppola stressing to Sheen, as he did to Solters, how important it is for Sheen to talk about the movie when he does interviews — as though this is Sheen's first time at this rodeo. When they first started talking about making this movie, Sheen was the biggest star on TV, and he would have been taking a chance by expending his celebrity capital on his old friend's unconventional indie; by the time they shot the movie, it was Coppola who was taking a chance on uninsurable damaged goods. Now that it's time to sell the movie, what is Charlie Sheen worth?
Two nights later, Sheen is a guest on Late Show With David Letterman. Over the course of two full segments, the Meltdown is recycled into a set-up/punch-line comic routine and thereby decontaminated.
Letterman gives him a chance to blame his behavior of 2011 on "crack cocaine." "I wish it was crack cocaine," Sheen responds. "It was just that my brain kind of separated into itself, and I had to take a stand for what I knew was right."
"Are you a different person now?"
"Are you embarrassed about any of this?"
"Of course! Did you see some of those interviews?"
There's no mention of Coppola or the movie until Letterman starts to wrap up. Shaking the host's hand, Sheen blurts out: "I also have a film coming out on February 8; it's on VOD now — A Glimpse Inside the Mind of Charles Swan III." Letterman looks surprised. It's as if he wasn't aware Charlie Sheen was selling anything other than Charlie Sheen.