Bring Me the Head of Han Solo

And because of the return of the original cast.

Don't squander this opportunity to restore balance to the force, J.J. Abrams. The last thing the tarnished Star Wars brand needs now is another bored and noncommittal Harrison Ford performance. (If he wants to walk on and transform into a werewolf, like he did in Anchorman 2, that'd be fine.) The pattern set by the first two trilogies is that in the first chapter, a mentor is sacrificed: Obi-Wan Kenobi in A New Hope, Qui-Gon Jinn in The Phantom Menace. In fact, Qui-Gon's slaying by Darth Maul, and the thrilling lightsaber duel surrounding it — more athletic than the one in Empire — is one of only a handful of scenes in the entire seven-hour prequel trilogy that achieves any emotional heft. The big Obi-Wan vs. Anakin fight two movies later, wherein Anakin sustains the injuries that will result in his rebirth as that mouth-breathing cyborg Darth Vader, needed to feel exponentially more dire than that earlier melee, given its significance in the saga. It didn't.

But then, Anakin lived — in the literal sense, anyway. And death is powerful. Especially in a genre where it's so rare and reversible.

To save Han Solo, we have to kill him.

Search your feelings. You know it to be true.

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