Email Author J. Hoberman
The Coen brothers' True Grit is well-wrought, if overly talkative, and seriously ambitious. Opening with a strategically abbreviated Old... More >>
Lena Dunham's Tiny Furniture is a comedy of youthful confusion that gets its kick not only for evoking a world of unromantic hookups,... More >>
A picnic for Anglophiles, not to mention a prospective Oscar bonanza, The King's Speech is a well-wrought, enjoyably amusing... More >>
A near-irresistible exercise in bravura absurdity, Black Swan deserves to become a minor classic of heterosexual camp — at the... More >>
Jeff Bridges is God and, as digitally captured from the original 1982 Tron, he's also the devil in the megamillion-dollar reboot... More >>
The Fighter is based on the true story of light-welterweight champ "Irish" Micky Ward from Lowell, Massachusetts. But starring Boston... More >>
Chinese-Canadian filmmaker Lixin Fan's prize-winning documentary is an intimate portrait of an unfathomable immensity, focusing on a single... More >>
Is America's last cowboy icon prospecting for more Oscar gold? Taking for his map an original screenplay by British docu-dramatist Peter Morgan... More >>
As suggested by its title, Allen Ginsberg's game-changing poem Howl is essentially performative — and so is Howl, the... More >>
Published five years ago, Kazuo Ishiguro's massively praised Never Let Me Go is set in an alternate universe where life has been... More >>
The Social Network is a wonderful title, at once Olympian in its detachment and self-descriptive in its buzz. Everyone will opine (and... More >>
Elegant opening credits, written as if calligraphy on a wedding invitation, yield to a couple in blunt close-up — unhappy, interracial,... More >>
Lebanon, written and directed by Samuel Maoz, is the strongest new movie of any kind I've seen in 2010. Like Ari Folman's groundbreaking... More >>
Alain Resnais' Wild Grass has plenty of fans — it copped an award at Cannes in 2009 — but I don't see what they see. The... More >>
Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko's The Kids Are All Right gives... More >>
Opening with a close-up of the crow's feet around its subject's eyes and expanding to reveal her Botox-frozen upper lip, the... More >>
Nicole Holofcener's fourth feature, Please Give, is a notable rebound from the self-absorption of her last movie, Friends With... More >>
The great boundary-crosser of Iranian cinema, Bahman Ghobadi purposefully steps over the line with No One Knows About Persian Cats... More >>
Sad, funny, and acutely self-conscious, Greenberg is the sort of mordant character study that people imagine were common in the '70s.... More >>
Chloe is posh, cool, and never less than obvious. The movie was adapted by Erin Cressida Wilson from Anne Fontaine's marital thriller... More >>
Animals and people are all jumbled up in this hyperactive Belgian puppet animation — as in A Town Called Panic's central... More >>
Paul Greengrass' expertly assembled Green Zone has evidently been parked for some time on Universal's shelf. Had the movie been released... More >>
Walt Disney mulled an adaptation of Alice in Wonderland for decades before producing an animated feature in 1951, although by all accounts,... More >>
Detective stories imply that mysteries can be solved or at least rationally explained. Even the most debased example is a secular article of... More >>
The White Ribbon is Michael Haneke's first German-language film since the original Funny Games (1997) and, addressing what used... More >>
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