Best Of :: People & Places
Roughly a quarter-century ago, Burt Reynolds posed nude in Cosmopolitan magazine, and driving the streets of South Florida has never been the same. Don Bailey, an obscure carpet-store owner at the time, was impressed by the fact that Burt's bare bod caused the magazine to sell out in record time. So in an effort to drum up business, Bailey got in his skivvies, laid down on one of his carpets, put on a suggestive smile, and posed while his brother painted. The end product has been immortalized on signs throughout South Florida, most visibly on Broward Boulevard. Bailey, who is now 65 years old but was just 40 when he struck his pose, tells us that the sign immediately had people "swarming" into his stores. It's certainly eye-catching. The gut reaction is confusion, as in, "What the hell is that?" Don's frank sexuality is unsettling to some. And the fact that his painted image slightly resembles a pasty version of Hugh Beaumont from Leave It to Beaver makes it no less, well, creepy. But let's face it: If that were a woman lying there, nobody'd think twice. Like Burt's centerfold, Don has broken into uncharted sexual territory, and it's just as strange today as it was 25 years ago.
A yellow road-sign hanging from a tree warns "Butterfly Crossing," and the traffic is indeed intense. Dozens of yellow-and-black-striped zebras and classic monarch butterflies swoop, golden sulphurs hover high above, and orange julias flit about the garden that wraps around building contractor Ralph Johnson's Fort Lauderdale home. More than a year ago, Johnson and a friend, Bonnie Campbell, began courting butterflies. They sought books and seminars to find out which plants -- including cassia, milkweed, passion vine, and the wine-stained Dutchman's pipe -- attract the delicate creatures. Now Johnson and Campbell have their own photo album that tracks caterpillars through the pupa stage to full-blown butterflies and a log in which they've noted 13 species that have paid them a visit and as many as 70 sightings in the garden at one time. Johnson talks about putting together a guide to cultivating butterflies in South Florida and recently gave an impromptu instructional tour to a stranger who drove into his driveway and asked for his secret. He is already offering seedlings to his neighbors, sprinkling pollenlike fairy dust in the hope of creating a block-long private Butterfly World.
It's a suitably ironic commentary on the dismal state of so much South Florida architecture that the most striking piece of work around is this gloriously gratuitous bit of design from the world-renowned firm of Arquitectonica, which has offices in Miami. Built a decade ago, this marble-and-ceramic "stairway to nowhere" flies in the face of the notion that form should follow function in architecture. It's a flashy construction of geometric shapes fashioned from bright, shiny blue and red tiles and a checkerboard slab of gray marble, assembled with steps and railings to suggest a Jetsons-style confluence of the '50s and futurism. The overall effect is that of a sort of deranged el train station, and the punch line is that, once you ascend the stairs, there's nowhere to go -- the walkways extending from the stairs into the terminal lead to nonexistent train tracks. The structure is a piece of pure absurdist eye candy.
Those are Ben Franklins you smell in the lobby of the Chesterfield Hotel. Crisp and tightly packed in a gold money clip, placed neatly inside the interior pocket of a pinstriped suit jacket. The portly gentleman wearing the suit saunters, Dominican in hand, toward the dark-wood-and-brass bar at the hotel restaurant, the Leopard Lounge. Two dignified middle-aged women with martinis ("Very dry, please") chat at small, low-to-the-ground cocktail tables by the dance floor. A three-piece band croons Sinatra tunes. The portly man with the Dominican smiles at the women and does a two-step past them. Were it not for the friendly bartenders, the live swing and dance music, and the nudes painted on the ceiling in swirls of red and white, the Leopard Lounge might at first glance appear to be too austere a place for even the bluest of blue bloods among us. But since it opened about ten years ago, the Leopard has been real money's top choice for a drink. Yes, there are celebrities: Alan King, Phyllis Diller -- even Whitney Houston and Bobby Brown (when he's not in jail or rehab). But they're bourgeois. Real money is invisible, because real money doesn't boast. And the Leopard Lounge is high society, where discussions of money -- greenbacks, moolah, cash, dough, shekels, secret accounts in the Cayman Islands -- are considered gauche. So if you start chatting with someone at the Leopard Lounge, just assume he or she has more money than God. Or you. And let him or her pick up the tab.
Park your butt on the whitewashed concrete railing on either side of the 11th Avenue bridge, gaze out over the north fork of the New River, and squint. If the sun's low in the sky to the west of Sailboat Bend, and you clamp your lids down just enough to add a blurry sepia tone to the scene, you can imagine that it's 1925. Movies cost a nickel. Kids don't sass their mamas, and small bridges are cranked open and closed by hand. Be patient. It shouldn't take more than a few minutes for a boater to hail the bridge and ask to pass. Then the bridge tender will sound a bell and drop the stop arms. He'll walk to the center of the 48-foot span, poke the business end of an L-shaped handle into a hole in the steel-mesh roadway, and put his back into it, walking the crank in a circle like a pony harnessed to a grist mill. The bridge will swing parallel to the river channel, allowing boats to pass on either side. No motor, no noise, no hurry. Just like the old days. The Snow-Reed (named for two former Fort Lauderdale mayors) is the only metal-truss swing bridge operating in South Florida. Bridge junkies will surely appreciate its rim-bearing pivot design featuring eight rollers and a centrally located wheel. The rest of us will marvel at how smoothly the bridge carves a lazy arc after 74 years and be glad we don't have to crank it open and closed 20 times a day.
Although many bigger charities have much bigger coffers, there's none nobler than Poverello. (The name is an Italian diminutive for "poor little one.") Every dollar raised by this AIDS relief organization, run by volunteers and Fr. William F. Collins, the unassuming but tireless Franciscan priest who started it in 1987, goes directly toward feeding and otherwise assisting people living with HIV. The agency runs a food bank and a fitness center for its more than 6000 clients, as well as a thrift store open to the public. When he's not visiting homes or hospitals or performing memorial services, "Father Bill" can often be seen rubbing elbows with drag queens and strippers as he makes the rounds of fundraising events at the many local gay bars that support his work.