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Best Of 2002

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Best Of :: Arts & Entertainment

Best Artist

The West Palm Beach-based Helander remains one of the foremost advocates and practitioners of collage, a mixed-media art form pioneered by Pablo Picasso nearly a century ago. His subtle, complex compositions continue to demonstrate that this widely misunderstood medium is far from exhausting its possibilities. Unlike some of the well-known figures who have dabbled in it and moved on -- including Jasper Johns, Robert Rauschenberg, David Hockney, and Larry Rivers -- Helander has been tenaciously devoted to collage for decades. And his efforts have paid off. His work has been featured in more than 100 solo and group shows over the past two decades, including two notable retrospectives in Broward County, one at Fort Lauderdale's Museum of Art in 1996 and another at the Coral Springs Museum of Art in 2000. Not surprisingly, he has pieces in the collections of such major institutions as the Guggenheim, New York's MoMA and Met, and the Los Angeles County Museum of Art, as well as in the private collections of other artists such as Rauschenberg, Rivers, James Rosenquist, and Dale Chihuly. He's also in constant demand as a designer of stage sets, murals, and posters, including, most recently, the official poster for the Palm Beach International Film Festival.

Best Rock Band

Good things do come from Boca Raton: fine matzo ball soup, for instance. The blue hair rinse is divine. And Baby Robots, Boca's resident art-damaged combo, provides the town with a slightly deviant edge that it has long lacked. Why? Because the 'bots -- product of a team of visual and sonic artists creating in a virtual vacuum -- rip up the South Florida rock rule book. Irrepressible guitarist/singer Bobby Baker is exploding with ideas, some just as likely to dissolve into a mud puddle of distortion as to reach sonic transcendence. But more often than not, the Baby Robots strike a remarkable balance between psychosis and eloquence. And that's something Boca Raton could use more often.

Best Rock Band

Good things do come from Boca Raton: fine matzo ball soup, for instance. The blue hair rinse is divine. And Baby Robots, Boca's resident art-damaged combo, provides the town with a slightly deviant edge that it has long lacked. Why? Because the 'bots -- product of a team of visual and sonic artists creating in a virtual vacuum -- rip up the South Florida rock rule book. Irrepressible guitarist/singer Bobby Baker is exploding with ideas, some just as likely to dissolve into a mud puddle of distortion as to reach sonic transcendence. But more often than not, the Baby Robots strike a remarkable balance between psychosis and eloquence. And that's something Boca Raton could use more often.

Best Male Rock Vocalist

Nice guys rarely finish first, especially nice guys with way-over-the-top baritones. But local legend John Cain Reilly is so serious about his art that he puts other frontmen to shame. From his mid-'90s days in Basketcase to his newest role leading ex-Marilyn Manson guitarist Scott Putesky's band (Three Ton Gate, née Stuck on Evil), Reilly uses his church-organ pipes to project a palpable aura of glorious Grand Guignol gloom. Suntanic, Stuck on Evil's 2001 release, vacillates between semi-shocking imagery and a cheeky, erotic/occult plateau; and Reilly is indisputably its focal point. From the core-breaching opener "Died of Me" to the chaotic/melodic Beatles cover ("I'm Only Sleeping") through the poetic (and formerly a capella) closer "Non-Photo Blues," Reilly is Fort Lauderdale's worship-worthy rock god.

Best Male Rock Vocalist

Nice guys rarely finish first, especially nice guys with way-over-the-top baritones. But local legend John Cain Reilly is so serious about his art that he puts other frontmen to shame. From his mid-'90s days in Basketcase to his newest role leading ex-Marilyn Manson guitarist Scott Putesky's band (Three Ton Gate, née Stuck on Evil), Reilly uses his church-organ pipes to project a palpable aura of glorious Grand Guignol gloom. Suntanic, Stuck on Evil's 2001 release, vacillates between semi-shocking imagery and a cheeky, erotic/occult plateau; and Reilly is indisputably its focal point. From the core-breaching opener "Died of Me" to the chaotic/melodic Beatles cover ("I'm Only Sleeping") through the poetic (and formerly a capella) closer "Non-Photo Blues," Reilly is Fort Lauderdale's worship-worthy rock god.

Best Concert of the Past 12 Months

There's nothing quite as thrilling as catching an up-and-coming young act on the threshold of a national French kiss, which is what audiences have witnessed over the past year with Boca Raton's Dashboard Confessional. And when these saviors of the emo set, led by diminutive, tattooed love god Chris Carrabba, brought the show home to Pompano Beach's now-defunct Millennium Club from a national tour this past December to the thunderous acclaim of a hometown crowd (who were just as proud as pleasured), it gave rise to feelings of validation and redemption, as well as more than one misty eye. Although he's been fortunate enough to chill with Conan O'Brien on the late-night talk-show circuit, sad-sack lyricist Carrabba hasn't yet exploited his hunky heartthrob status. When that happens, it's likely all over. We feel your pain, Chris. Glad your hard work is finally paying off.

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Best Artist: Bruce Helander

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