As Father Brendan Flynn in John Patrick Shanley's Pulitzer Prize-winning Doubt, Terrell Hardcastle had what looked like the time of his life screwing mercilessly with the heads of his audience. Doubt is a play about, well, "doubt" — specifically, the doubt of a nun considering what to do about a priest whom she suspects is molesting a pupil. She isn't quite sure, of course, and neither are you. There's the rub. But you think you're sure, over and over again: big bad Sister Aloysius comes out, makes her case against the priest, and you're totally sold. You're ready to pull the bastard's eyes out. Then he appears, full of love and light and seeming good sense, and within minutes you can't imagine he's anything but the kind, wise, virtuous man he says he is. Any good actor can make an audience believe in him. Doing this after an audience has already made up its mind not to believe in him — that's not talent, but greatness.

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