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Best Of 2010


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Arts & Entertainment

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Best Of :: Arts & Entertainment

Best Museum Curator
Wendy M. Blazier,Boca Raton Museum of Art
Eduardo Chacon

Curating art exhibitions can seem like thankless work. Not only do curators have to deal with the artists themselves, who are often sensitive and sometimes downright temperamental, but they also have to work with museum directors, a notoriously driven lot with, shall we say, healthy egos. As senior curator at the Boca Museum, where she has been since 1997, Wendy Blazier is the unseen hand behind the scenes. She knows what it's like to run the show from both perspectives, having previously worked as executive director and curator at the Art and Culture Center of Hollywood for more than 15 years. In the past year, she has worked with living artists (Stephen Althouse, Clyde Butcher, Enrique Martínez Celaya), and she has overseen exhibitions curated elsewhere before they arrived, such as the landmark M.C. Escher retrospective and the upcoming Elvis show. She also manages the museum's extensive permanent collection, a significant portion of which is always on display in the upstairs galleries — a daunting task in itself but just part of the job description for the seemingly tireless Blazier.

501 Plaza Real, Boca Raton, 33432
Best Gallery Hangout
The Bubble

In the past decade or so, we've been inundated with bubbles: the dot-com bubble, the housing bubble, the stock market bubble, Michael Jackson's chimp Bubbles. After all these messes, the term stopped conjuring up images of that beloved bathing staple Mr. Bubble and became synonymous with the plundering of your 401-K. Luckily, longtime promoters/power couple Garo Gallo and Yvonne Colón are reappropriating the term in a way that will thrill those concerned about the health of South Florida's arts community. For the past year, their space the Bubble has served as a hub for Broward County creative types such as local artists, filmmakers, fashion designers, musicians, and even a puppeteer. Imagine concert-hall-quality acoustics, 3,000 square feet to boogie your ass off or wallflower around in (this doesn't include the giant space outside), two stages, and loads of local art littering the walls by artists such as Lisa Parrott, Erick Arenas, Rachel DeJohn, and Francesco LoCastro. (Fun fact: LoCastro also painted the rad mural that covers the front of the warehouse.) Gallo and Colón conceptualized the Flagler spot years ago as a venue where oft-underrepresented artists can display their work, indie musicians can rehearse and record, and networking and promotion will help solidify the local community. Their vision officially began to materialize in April 2009, when the couple started renting the space. Since then, they've been booking acts, showcasing countless artists, and renovating tirelessly. "This way, we don't have to answer to club owners with bad taste," Gallo quipped when the Bubble first opened. Now, because of the Bubble, we don't have to hang out at such places either.

810 NE Fourth Ave., Fort Lauderdale, 33301
Best Theater Season
<b>The Caldwell Theatre</b>

It's definite: The Caldwell is fusty no more. Its last season, helmed by new Executive Artistic Director Clive Cholerton, was powerful, varied, and risky. He took some knocks for that, of course — nobody much liked The Old Man and the Sea, which in retrospect probably didn't need to be turned into a play — but mostly, the word among theater people is that Cholerton is the most exciting thing to happen to the performing arts in SoFla in years. The first show he mounted while running the theater, an experimental musical called Vices, a Love Story, was nothing short of thrilling; his second effort, the new The Whipping Man, was a trenchant meditation on power and guilt that was lovely, deep, and enlightening; and the masterful The Voysey Inheritance asked Caldwell's moneyed Boca Raton audience to have compassion for, of all people, a Ponzi schemer. That's balls. It was also great theater.

7901 N. Federal Highway, Boca Raton, 33487
Best Set Design
<b>Richard Crowell</b>, <b><i>Two Jews Walk Into a War,</i> </b><b>Florida Stage</b>

The set for Two Jews Walk Into a War was a painterly representation of a crumbling synagogue in Kabul, which happened to be inhabited by the last two Jews in the country of Afghanistan. You could sense that a lot of love went into the place before it became an object of anti-Jewish target practice. It was full of warm light and, despite the carnage outside, peaceful vibes. The stone floors looked like they'd been worn down by generations of worshipers. When gunshots struck the temple — as they did frequently, serving as a kind of grim rim-shot to punctuate the jokes of the show's titular Jews — they sent up little plumes of dust and smoke, and we could watch the place's deterioration continue with force.

262 S. Ocean Blvd., Lake Worth, 33462
Best Rock Band

God bless Alexander. Not just because the Fort Lauderdale indie-rock group's charismatic frontman, Ryan Alexander, inserts his passionate religious beliefs and stances regarding poverty, politics, and the human condition into the lyrics. There's a dedication to songcraft here that can thread together neatly like Death Cab for Cutie on record but will turn around and chomp up the stage when they perform live. "Peter, James & John (Backward Math)" from new album The Other Side of Symmetry is a catchy statement, pure and simple, and while the usual trend for alt-leaning rock is navel-gazing, at least this band is trying to strike a positive balance between preaching and preening. Not yet a convert? Look to Alexander's many well-kempt disciples, who always arrive early and provide vigorous support for every electrifying chord — as well as when the guys seductively flop their shaggy hair. Getting a message across is sometimes just as simple as turning up the volume.

Best Reunited Band
Blond Fuzz (formerly Stonefox)

Stonefox vocalist Jordan Asher Cruz and bassist Ross Fuentes headed to New York in February, and with them, the blues-infused racket that was their trademark left town too. A whole lot of sweat-soaked and beer-coated warehouse floors went dry, and even more lusty South Florida hearts became famished. In late May, Cruz, guitarist Dave Barnard, and drummer Jeff Rose officially announced they had re-formed sans Fuentes — albeit as Blond Fuzz for legal reasons. With a cover of the Velvet Underground classic "White Light/White Heat" as the new outfit's first official output, none of the intensity was lost. While hacks like Jet keep crashing this Led Zep-inspired garage-rock style into the ocean, Blond Fuzz always gets the balance between retro and modern just right. It could have been a lifetime before another sound so cool and calculated echoed and buzzed from the belly of South Florida.

"Van Go" by Stonefox:


Best Museum Curator: Wendy M. Blazier,Boca Raton Museum of Art


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