Best Supporting Actress - 2013
Exit the King, Eugene Ionesco's protracted absurdist exercise, is about a blustery monarch, played in Dramaworks' production by Colin McPhillamy, who refuses to accept that, after hundreds of years of rule, he is finally dying. But the only character onstage that exuded a genuine air of regality was Angie Radosh, who, with her upright posture and hardened countenance, appeared to be the show's lone anchor on a ship of fools sinking ever faster into the abyss. As the king's first wife, long abandoned for a clingy trophy played by Claire Brownell, Radosh was, in other words, the only adult in the room. But it isn't until the play's end that we realize she's been bestowed with an otherworldly wisdom transcending time, space, and dimension. When she ushers her husband into the afterlife, Radosh becomes the show's mesmerizing center, pulling us in with every hypnotic command as much as she helps the king's transition. It was a performance full of surprises, echoing through the auditorium, haunting us even while it soothed us.