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  • Article

    Sound Check

    Strolling the Strip in Fort Lauderdale the other night, I almost walked by Evangeline, until I heard the faint yet feverish intensity of a violin. Stepping inside, I spotted the white instrument, which was tucked under Kimberly Jaffar's chin. She was...

    by Brian Hyman on March 12, 1998
  • Article

    Beatcrazy

    Regulars at O'Hara's on East Las Olas Boulevard may have noticed that when Danny Burger does a drum solo, he doesn't sound quite like anyone else. It's not merely that he's good -- after all, he's played with some of the biggest names in jazz music, ...

    by Rafer Guzman on March 12, 1998
  • Article

    Short Cuts

    The High Llamas Cold and Bouncy (V2) Most bands work within established genres, such as rock, folk, or blues. Some mine more specific veins, like fusion or psychedelia. A few bands fall into minicategories; acid-jazz or chamber-pop come to ...

    by Robin Myrick on March 12, 1998
  • Article

    Keeping It Real

    The disappearance of "real" music is a slow, daily process, barely even noticeable. CDs are purchased on the Internet, and much of the music on those CDs is sampled from old records, relics from the years when people actually played instruments. Just...

    by Rafer Guzman on March 12, 1998
  • Article

    Short Cuts

    Mark Eitzel Caught in a Trap and I Can't Back Out 'Cause I Love You Too Much, Baby (Matador) It's hard to imagine a better title for an album by Mark Eitzel, the verbose and despondent singer-songwriter who once led San Francisco's much-her...

    by Theresa Everline on March 5, 1998
  • Article

    Rock of Ages

    Kelly Mason, age 16, recalls with glee a recent Christian-rock concert she attended. "It was the first time I've been to a Presbyterian church with a mosh pit," she says, "and you'd step out of the pit, and there's blood on the floor. And I'm like, '...

    by Rafer Guzman on March 5, 1998
  • Article

    Beatcrazy

    During a recent evening at Mario's East, at 1313 E. Las Olas Blvd., it was easy to see that something had changed. Where were those dependable Top 40 cover tunes from Mario's House Band? Who was the big, bearded guy on stage belting out hot New Orlea...

    by Rafer Guzman on March 5, 1998
  • Article

    Sound Check

    The gyrating hips, the pompadour, the thick sideburns, and a rockabilly singing voice that makes the ladies melt. No, that's not an apparition you've seen shaking, rattling, and rolling around Broward County. It's early-Elvis tribute performer Chris ...

    by Brian Hyman on March 5, 1998
  • Article

    Sound Check

    I was polishing off a sizzling skillet of crocodile fajitas on the top floor of Bayside when I felt the floor begin to vibrate and heard strange plucking sounds. At first I thought the Poltergeist-like scene was a result of the Tabasco-laden faj...

    by Brian Hyman on February 26, 1998
  • Article

    Beatcrazy

    Armed with bottles of Faygo soda, the Insane Clown Posse comes to the Theater nightclub (3339 N. Federal Hwy., Fort Lauderdale, 954-565-5522) on Tuesday. The band hails from Detroit, but has local ties that will sadly go unacknowledged. The Insa...

    by Rafer Guzman on February 26, 1998
  • Article

    Horn of Plenty

    Sax player Eric Allison, looking casual yet distinguished in a black jacket, a light-gray collarless shirt with the top button opened, and dark gray slacks, is in a good mood. Heading toward an outdoor table for a pre-gig meal at Sterling Worth Cafe ...

    by Larry Getlen on February 26, 1998
  • Article

    Short Cuts

    Various Artists Caribbean Island Music (Nonesuch) Various Artists The Real Bahamas (Nonesuch) The remarkable source recordings on Caribbean Island Music, as raw as unrefined sugar cane and just as sweet, are spontaneous performanc...

    by Robin Myrick on February 26, 1998
  • Article

    Short Cuts

    Ani DiFranco Little Plastic Castle (Righteous Babe) Spice who? The real story behind girl power is Ani DiFranco, the singer-songwriter from Buffalo who has just released her tenth album. Though she's sold more than a million discs, DiFranco...

    by Steve Almond on February 19, 1998
  • Article

    Sound Check

    If you saw Jimmy Buffett's musical, Don't Stop the Carnival, at the Coconut Grove Playhouse last spring, they were the pit band. The Miami-based Iko-Iko have also popped up on Hollywood soundtracks: They recorded "Purple People Eater" (along with Buf...

    by Brian Hyman on February 19, 1998
  • Article

    Krazy Kats

    Big Chief Pony Dancer is bellowing into his microphone like a man possessed. He's quite a sight on this Saturday night: a burly, curly-haired prankster decked out in a rainbow coalition of beads. To make room for a pair of headphones, he's removed th...

    by Manuel Pila on February 19, 1998
  • Article

    Beatcrazy

    You're a local band looking for gigs, trying to sell records, and generally taking advantage of every opportunity to be seen and heard. You've taped fliers to telephone poles, offered your CD to various record stores, and called every club in town. ...

    by Rafer Guzman on February 19, 1998
  • Article

    Sound Check

    A little less than a year ago, I was nose-deep in Kerouac's Some of the Dharma at the Borders Books in Coral Springs when I heard someone playing a flute. A few minutes later, I also heard a synthesizer, and, as if hypnotized, I exited the "Literatur...

    by Brian Hyman on February 12, 1998
  • Article

    Beatcrazy

    Like David Sanborn or Michael Brecker, Clarence Clemons has played the saxophone for so long and for so many recording artists that his sound has become instantly recognizable. It's a bit like a favorite pair of jeans: durable, comfortable, well-worn...

    by Rafer Guzman on February 12, 1998
  • Article

    Human Engineering

    It's got a good beat and you can dance to it, but not everyone is convinced that electronica is worth paying money to hear live. When the British rave band Orbital headlined Lollapalooza in several cities last year, its concerts featured video screen...

    by Rafer Guzman on February 12, 1998
  • Article

    Short Cuts

    Taja Sevelle Toys of Vanity (550 Music) It's been nearly a decade since The Guy They Used To Call Prince gave Taja Sevelle a record deal. Rather than attending college, the young Minneapolis native moved to Los Angeles, released a self-titl...

    by Rafer Guzman on February 12, 1998
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