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  • Article

    Short Cuts

    Frank Frost & Sam Carr The Jelly Roll Kings (Hightone) Modern blues musicians have a formidable challenge before them: to bring a fresh sound to a style of music that is formulaic by definition and has been exploited by American pop culture...

    by David Simutis on March 4, 1999
  • Article

    Korn in the USA

    Appropriating a fish-in-a-barrel stance with Korn would be the easiest, surest form of cheap laughs, for sure, and one, as Courtney Love recently said, that would be fun to do as well. Frankly, Korn is shit in warm-up suits and piercings. An ove...

    by Brian Smith on March 4, 1999
  • Article

    Sound Check

    Country singer Brian Eckert doesn't have a hard time finding gigs these days, mostly because he's part-owner of one of the more popular country and western bars in Broward County. Eckert and his wife, Nancy, bought into Desperado's in Fort Lauderdale...

    by David Norrie on February 25, 1999
  • Article

    Short Cuts

    Ani DiFranco Up Up Up Up Up Up (Righteous Babe) After nearly a decade and an even dozen releases, Ani DiFranco is not about to start sucking up to the recording industry for approval or legitimacy. By the same token, she's not prone to begi...

    by Brendan Kelley on February 25, 1999
  • Article

    Strings Attached

    Stretched out on his couch at his home in Swindon, England, Andy Partridge, the garrulous singer, guitarist, and songwriter for XTC, casually catalogs what he's been up to for the last seven years. And that doesn't include much lying on the couch. ...

    by David Simutis on February 25, 1999
  • Article

    Vive le Pop!

    Elinor Blake wants to meet at the library. She's a frequent visitor there. Not necessarily for the books, though she's an avid reader; it's the music. Rows of used CDs await. Fine recordings of the European masters -- Debussy, Chopin, and the like. S...

    by Steve Appleford on February 18, 1999
  • Article

    Short Cuts

    Sam Prekop Sam Prekop (Thrill Jockey) Even on his first solo record Sam Prekop (ex-Shrimp Boat frontman) can't stay away from the postrock supergroup that he leads, the Sea and Cake of Chicago; two Cakers, percussionist John McEntire (also ...

    by Brendan Kelley on February 18, 1999
  • Article

    Sound Check

    Groovy baby... outta sight! That's what the hip kids are saying about DJ Geronimo as he spins them back in time to the days when polyester and platforms were king. Named by his parents after the patron saint of Cephalonia, Greece, not the famous...

    by David Norrie on February 11, 1999
  • Article

    Heart-Attack Man

    Oddly enough, former House of Pain (HoP) member and current hip-hop troubadour Everlast is proving himself to be a crossbreed of b-boy and Johnny Cash. In his current incarnation -- as guitar-wielding Whitey Ford -- he sports a streetwise, middle-fin...

    by David Simutis on February 11, 1999
  • Article

    Short Cuts

    Various Artists The Moment of Truth: The Emo Diaries, Chapter Three (Deep Elm Records) Now on its third installment, Deep Elm Records continues to document the ill-defined posthardcore genre known as emo. The term itself comes heavily loade...

    by Brian Baker on February 11, 1999
  • Article

    Spin Cycle

    DJ Danny Bled is standing in the corner of West Palm Beach's Respectable Street Cafe, headphones half on, penlight in mouth, slowly nodding his head, tracking beats. As he slides the crossfader, the Revolting Cocks' grinding, pounding "Do Ya Think I'...

    by Brendan Kelley on February 4, 1999
  • Article

    Short Cuts

    Peter Himmelman Love Thinketh No Evil (Six Degrees/Koch) In the five years since Peter Himmelman's last studio effort, he's obviously had a chance to carefully study his Elvis Costello collection. Not that he's copping EC's wave by any stre...

    by David Simutis on February 4, 1999
  • Article

    Sound Check

    Ever hear of a musician who doesn't mind people in the audience shouting things at her and interrupting songs? Well, Elizabeth De Bolt encourages it. Audience participation is what her one-woman show is all about. Think Joan Baez meets Name That Tune...

    by David Norrie on January 28, 1999
  • Article

    Asian Flav

    Despite tremendous SoundScan sales numbers, something is missing from today's hip-hop. Humor, a rap music staple during the '80s in the hands of Biz Markie and others, has all but disappeared as the music's popularity has increased; instead of hittin...

    by Craig Smith on January 28, 1999
  • Article

    Short Cuts

    Number One Cup People People Why Are We Fighting? (Flydaddy Records) Chicago's Number One Cup is emphatically indie. Its latest CD -- People People Why Are We Fighting? -- is replete with the discordant guitars, nonchalant vocals, and quirk...

    by David Simutis on January 28, 1999
  • Article

    Short Cuts

    The Black Crowes By Your Side (Columbia) Like any small group of world-class, highly paid performers -- from sports teams to rock 'n' roll bands -- when things take a downward turn, an individual or two pays the price. For the Black Crowes,...

    by David Simutis on January 21, 1999
  • Article

    Caught in a Trap

    Four years ago I briefly met Peter Guralnick at a book-signing in Memphis, Tennessee. At the time Guralnick -- one of the few great chroniclers of American music -- was basking in considerable acclaim for Last Train to Memphis: The Rise of Elvis Pres...

    by Gilbert Garcia on January 21, 1999
  • Article

    Both Sides Now

    When James Kraut was a teenager, his parents confiscated his guitar, banishing it to the basement until he paid their ransom: better grades. Undaunted, he sneaked around Rochester, New York, with friends' instruments, improving his musicianship but n...

    by Margery Gordon on January 14, 1999
  • Article

    Short Cuts

    Various Artists Fit For Kings: A Compilation of Peripheral New Zealand Music (Drunken Fish) Birchville Cat Motel Siberian Earth Curve (Drunken Fish) Like the weirdest, wildest practitioners of '60s free-jazz, the avatars of the bu...

    by Liesa Goins on January 14, 1999
  • Article

    Short Cuts

    Big Head Todd and The Monsters Live Monsters (Reprise) The live album is inherently problematic. Some bands that are good in the studio are great on stage, but, when the fire of a stage performance is translated back into the recorded mediu...

    by Mark Rosen on January 7, 1999
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