Friday Night: N.O.R.E. at White Room, Miami

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Logan Fazio
N.O.R.E. peforming at White Room Friday night. Click here to view the full slideshow.
N.O.R.E.
Friday, July 3, 2009
The White Room, Miami

Better Than: What one might expect from a world-class MC in an unfamiliar situation

The Review:

Whenever a formerly well-known artist dips under the radar for several years you can't help but wonder what they get up to in their free time. Once a great talent gets away from the spotlight, what's usually left are rumors and the occasional new song -- so it's always intriguing when word of his or her reemergence begins to leak.

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So when word came that N.O.R.E. was set to appear at the White Room in Miami this past Friday, it was hard to pass on the chance to see what the Queens-raised, Miami-residing MC has been doing in recent years. That's not to say N.O.R.E. has been toiling in obscurity, necessarily, but it has been years since he dropped his biggest hit, "Nothin," on his former major label, Def Jam.


A little after one in the morning, local talents Mike Chadi and Max-A-Milli took the stage in White Room's back room in an attempt to get the crowd warmed up. Both artists reveled in their brief performnce time, but it was obvious who the crowd was there to see. After a brief intermission, some of the audience dispersed to the lounge area to get some more drinks as they patiently awaited N.O.R.E.'s arrival. But as the time crept well past two, some people began to grow visibly impatient while others flat out left the building
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N.O.R.E. finally appeared around 2:30, and despite a somewhat sparse crowd he let it be known immediately that he was right in his element. "We're going to make this real intimate in here," he said. "I want you to really feel me tonight."

And he did just that. Instead of performing onstage, the MC took to the floor and immersed himself in the center of the crowd, urging those around him sing along and feel his energy. It was clear his crowd-moving skills are still very much in tact, and he everybody hyped as he led off with his hit "SuperThug."

In between each song N.O.R.E. stopped for some banter. Despite having performed in sold-out auditoriums and coliseums, he said, there was nothing quite like the up-close atmosphere of a small crowd. "Even though there are only 10 of you in here," he said jokingly (there were probably around 200), "I can tell that you are a real hip-hop crowd and I respect you all for that."

A sentimental moment came around 3:00 a.m.,  when he stopped to commemorate the death of his father exactly eleven years before (July 3, 1998). In honor of his passing, and for the first time in his career, apparently, N.O.R.E. played the song "Sometimes" in his father's honor. By the time the track was over , he seemed at a loss for words.

The last song of the set, though, was the one everyone was waiting for: "Nothin," which got the crowd jumping. It was a fitting finale to a solid performance by a well-rounded and multi-talented lyricist. N.O.R.E may not have been performing on a huge stage, but he still seemed unfazed and right at home. For all the twists and turns that his career has taken over recent years, on this night, his music was still very much alive and well.

Critic's Notebook

Personal Bias: I've had love for N.O.R.E. since years ago thanks to the the undeniable infectiousness of his single "Nothin." Being just feet away from him when he performed the single live probably wasn't nearly the triumphant feat that I believed it was.

Random Detail: The White Room was a decent setting for the show, but perhaps due to lack of proper promotion, the club wasn't full to capacity.

By the Way: Next up for N.O.R.E. seems to be his upcoming album S.O.R.E. (Album of N.O.R.E.) which is expected to drop in the third quarter of this year.

-- Chris Robinson


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