This debut's best moments will get lodged in your brain, like the four-note progression in "Three" that creeps up in intensity, its horn section matched with shouts and "oo-ee-oo-ee-oo"s on every note, until a knee-slappin' Canadian hootenanny breaks out. There's also the clap-along silliness of "Big Dot" that gets a boost from an out-of-nowhere Doors-loving organ line and the backed-in-the-corner shouts from lead singer Nut Brown in "Lowlife" ("Is that a smile or paint on your face?/The smile wants to leave but somehow it stays"). The result is the best of both worlds for freaky hipsters TSHDT might be hard to digest at first, but after one listen, their dazzling songs become hard to discard.