Not even Michael Caine walks both sides of the credibility fence like punk icon Henry Rollins. On one hand, his 2.13.61 publishing house has reintroduced pulp-fiction masters like Hubert Selby Jr. On the other, he's appeared in GAP ads. Last year came the ultimate Rollins dichotomy: Just when it seemed he'd tossed his last shred of cred with a... More >>>