R.E.M.

Compile the best of R.E.M.'s earliest output on one CD, and it's easy to see why they ultimately became one of the biggest bands in the world — optimism. That's the overwhelming feeling pervading Fine, a smartly sequenced collection spanning the Athens, Georgia, then-quartet's pre-major-label years. R.E.M. had nothing to...

By Annie Zaleski

October 5, 2006

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Compile the best of R.E.M.'s earliest output on one CD, and it's easy to see why they ultimately became one of the biggest bands in the world — optimism. That's the overwhelming feeling pervading Fine, a smartly sequenced collection spanning the Athens, Georgia, then-quartet's pre-major-label years. R.E.M. had nothing to lose (and everything to gain) as they evolved from freewheeling garage-rock poets to influential pop storytellers, and were unapologetic about their lack of cynicism and unshakable confidence — a fact Fine underscores with the inclusion of tunes that are strident (a rabble-rousing "Begin the Begin"), winsome (the sepia-toned "Perfect Circle") and gloriously weird (the disco-funkin' "Can't Get There from Here"). But R.E.M.'s unselfconscious innocence is most obvious in the way they infuse even the most melancholic songs with shimmers of hope. Pretty pop gems ("Fall on Me," "Talk About the Passion") dip and soar with jangly riffs — as joyful as they are nostalgic — while even the murky taffy-pull "Feeling Gravity's Pull" finds redemption in vocalist Michael Stipe's soothing falsetto. Fine's limited-edition bonus disc of rarities and band members' favorite tracks is an absolute treat even for R.E.M. completists and bootleg collectors.

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