Chromeo, Crookers, and now Switch? Whoever is responsible for the string of bookings at Heathrow Lounge deserves a gold star because it's getting ridiculous. It almost seems like Heathrow is quickly becoming the Studio A replacement we hoped for -- except it's ill equipped to handle any kind of live performance. Save the date, because Saturday, December 13, Switch takes over the decks at the South Beach nightclub.
Switch, also known as Dave Taylor, is the man responsible for producing dancefl
If you are into dazzling, disjointed hip-hop beats, then you have probably heard of a whiz kid and producer that goes by the name of Prefuse 73. Born in Miami, but raised in Atlanta, Prefuse 73 (born Scott Herren) also records under various monikers like Savath & Savalas and Delarosa & Asora. Still, he's best known and admired around the world for his flawless work as Prefuse 73. After releasing his debut 2001 album, Vocal Studies Up Rock Narratives, Herren earned the attention and res
Pop music often gets a bad rap for being disposable or vapid, and in many cases that's true. (Katy Perry, Danity Kane and the Pussycat Dolls, step right up!) But every year, a few irresistible bits of innovative ear candy rocket up the charts and seep into our subconscious. The following ten singles saturated the Top 40 -- or what passes for hit-oriented radio in this topsy-turvy musical climate -- while proving that accessibility doesn't necessarily preclude creativity.
CHRIS BROWN
"Forever
Any knucklehead with DSL and a laptop can now make an electronic track. With a half hour of clicking and fiddling, you can sample enough cheesy beats and mashups to clog arteries from here to Berlin. Simple dropdown mouse maneuvers can transform electro tracks into progressive house tracks (from dry and synthetic to wet and gushy), rhythm tracks can be tempo-tweaked with an upward toggle to change a Timbaland beat into a Chromeo one. Add some T-Pain-esque pitch-correction vocals to your betwee
Back in my days over at Miami Nights, I liked to close out the year by looking back at all the music I discovered where I spend most of my time -- in nightclubs. It's always interesting to see what makes it big the following year, because downtown club in particular tend to be ahead of the curve. So maybe I should call this list the Club Hits of 2009?But feel free to argue with me -- in fact, I encourage it. I love a good "You're music list sucks!" argument.10. M.I.A."Paper Planes (DFA Remix)"(
It's often the complaint of many that South Beach has become stale, particularly its DJs, who seem completely content with spinning the usual Top 40/hip-hop mess that really is no different than you just turning on your car's stereo. But if there is one DJ that is try to walk the fine line of giving the masses what they want but at the same time showing great technique as well as superb track selection, it's DJ Ross One. He skillfully laces his mixes with Top 40 mainstays, but he doesn't forget
via www.villagevoice.comTV on the Radio's win for best album was not exactly a stunning upsetNew Times' sister paper, the Village Voice, has been running its annual Pazz & Jop critics' poll since 1971. And while it's among the last in the "best-of" national roundups, it's been one of the most influential due to the sheer number of critics who participate (albeit by invitation). Using a sort-of obscure system of point values, the end is a semi-logical tally of what everyone thought were the b
