Critic's Notebook

Regina Spektor

Regina Spektor's tricky tongue and fading Russian accent separate her from the ever-expanding crowd of Tori Amos/Fiona Apple wannabes who sport "funky" hats and own well-worn piano stools. Begin to Hope might be less histrionic than 2004's Soviet Kitsch, but it's still great fun to bear witness to this New...
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Regina Spektor’s tricky tongue and fading Russian accent separate her from the ever-expanding crowd of Tori Amos/Fiona Apple wannabes who sport “funky” hats and own well-worn piano stools. Begin to Hope might be less histrionic than 2004’s Soviet Kitsch, but it’s still great fun to bear witness to this New York City songbird’s post-hip-hop, piano pop, and quirky balladry. “Better” is the widest-screen song she’s ever penned, a populist anthem strengthened by the steady hand of Strokes guitarist Nick Valenti. “20 Years of Snow” finds Spektor alternating unpredictably between a Björk-like mix of spoken/sung impressionism and agitated rapping to the ADD rhythms of scattered piano and sprinkled strings. The album’s pick to click, “That Time,” falls more into a rock vein, with gully-scraping guitars buttressing a litany of chatty reminiscences about old times good, bad, and all-out horrific, as she slurs, yelps, and riffs her lyrics.

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