Undeclared, by turns poignant and hysterical, is the rare sitcom that wrests laughter from the familiar and painful predicaments of real life. Bereft of canned laughs or forced humor, Undeclared feels honest and organic, as though it were unfolding before the cameras without script or safety net. It's a 30-minute respite from the day-to-day drivel dished out by multinationals and megacorporations masquerading as broadcasters, and its mere existence makes the entirety of the ghastly medium just a little better.
Which makes news of its likely demise not at all surprising.
Arriving with Apatow's note last week were two brilliant episodes of Undeclared that could well be its final two episodes, barring a sudden outbreak of good sense and better taste among the Fox higher-ups. One, titled "Hal and Hillary" and starring Saturday Night Live cast member Amy Poehler, will air March 5. The other, "Eric's POV," features Ben Stiller in a mullet. Directed by Jon Favreau (Swingers and Made), it will air March 12--after which there are no more episodes scheduled to be filmed or aired.
Apatow won't know for a couple of months whether the series will return next season, but early indications aren't good. Undeclared has been struggling in the ratings since October, and in December, Fox told Apatow and DreamWorks, which produces the series, it wasn't going to want as many episodes as it initially ordered. Instead of 22, the normal run for a full season, there will only be 17, and the show will be yanked in March and April for the new Andy Richter Controls the Universe. It's gone for now. Likely, it's gone for good.
"It could be picked up for the fall, and I certainly hope that happens," Apatow says. "But the chances are much slimmer, because the competition is so much fiercer that the people who make television are willing to put on shows where people are eating pig anuses for money. So I am trying to create something funny and human, and I am competing with people sitting in chairs with crocodiles being thrown in their faces. It's very frustrating. And I'm sure it's frustrating for the people I work for at Fox. I doubt it's the business they wanna be in. But they work for gigantic corporations who want to make money. It's not the age of broadcasters anymore."
That is the main reason Undeclared is likely to get expelled from the 2002-'03 schedule, which will be announced in May.
If--or, sadly, when--Undeclared is finally cut loose, it won't be entirely because of Fox Entertainment Group President Gail Berman, who (allegedly) sets the schedule for the network. Apatow insists Berman and others at the network are fond of the show and would like to see it return for a second season. But programming execs do not make the decisions at networks any longer. Accountants do, and as far as the numbers boys are concerned, Undeclared isn't pulling in the ratings that warrant keeping it on the air one second longer than necessary--especially since Fox doesn't own the show. Eight million viewers, which is what Undeclared draws on average, just aren't enough to keep a show alive these days.
Fox's bigwigs simply don't want to waste the money promoting a show it doesn't own. That's why Undeclared is being replaced by Andy Richter, which is co-produced by Twentieth Century Fox and Paramount Network Television. In an era of deregulation, when it's now OK for networks to own their own shows and their syndication rights, it makes no sense for a network to pour money into someone else's property. (Fox also owns part of another new midseason series, Greg the Bunny, set to debut next month.)
But if, as Apatow insists, the Fox folks truly love his show, why has the network treated Undeclared so poorly?
Fox has never run the series in the order Apatow intended, so it's never been allowed to hit its rhythm; characters evolve--and devolve--without any reason. Worse, just four weeks after its highly rated September 25 debut, the network started airing reruns, which means that after the show was bumped for the World Series the last week of October and The Simpsons the first week of November, an entire month passed between new episodes. At the end of November and beginning of December, Fox yanked the show for two more weeks--once to make room for the Billboard Music Awards, once for an episode of That '70s Show. Then, for no apparent reason, the network refused to air Undeclared on Christmas or New Year's Day, replacing it with, respectively, The Simpsons and Malcolm in the Middle. During this month's sweeps period, when networks set their ad rates, it's been pulled twice for That '70s Show: once on February 5, again on February 26.